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Today's CREEPY skull watercolor project for Halloween was a special request from my students over at Awesome Art School! If you're not sure how to draw a skull, don't worry - I guide you through the skull drawing step by step. Then we'll bring it to life with one of my favorite art supplies that works JUST like watercolor - Noodler's Ink!
If you're curious how I paint with fountain pen ink, complete this project with so few art supplies, or if you're just in the mood for a spooky mixed media Halloween art project, hop over to YouTube because today's Halloween watercolor video is FOR YOU. 
Before we continue, super quick announcement: All product links are Affiliate. I may earn a small commission if you choose to order through these links but by law there is never any additional cost to the consumer for doing so. I thank you for your support
I created today's tutorial project in my Strathmore Watercolor Journal. It's filled with cold press (textured), 140# paper. If you're new to art-ing with me - I LOVE using this watercolor journal for my mixed media work because the paper is so hearty. It can really take a beating from whatever layers and art supplies I want to throw at it, and has become one of my go-tos over the years.
If you're new to mixed media art, looking for mixed media examples, or clear instructions on how to layer your mixed media art supplies so you can make a masterpiece instead of a mess, look no further! I've been teaching my 7-step "Hamburger System" for almost 2 years now and it's been a game changer for SO many students. 
While the Hamburger System is my main mixed media layering process I use when creating full blown mixed media portraits (like the one above), sometimes I enjoy lightening up on the art supplies and layering.
I'm calling this condensed layering process "The Hot Dog System," and it's perfect for mixed media beginners!
There are just four simple layers in my Hot Dog System:
I've put together a ginormous 32-page PDF (you're welcome!), giving you examples of 4-art supply layer combos- HOT DOG STYLE- not just from me, but from TWENTY of my artsy friends to inspire you! Click the button below to download this FREE 32-page stack of cheatsheets just filled with Hot Dog System inspiration! 
A copy of today's skull drawing reference is included in the above cheatsheet packet, so be sure to click that button and get a copy so you can create along with me!
If you're not sure how to draw a skull, don't worry- I take the skull drawing step by step in this tutorial. 
Drawing a skull is like drawing anything - we just break it down and take it shape by shape, starting from the top.
I saw a large circle at the top of the skull and basically decided to warm myself up by sketching a few light circles until I got the shape I wanted and saw in my reference image.
Once I got a bit further down the face of my skull drawing, I started cracking myself up, because my drawing looked like I'm actually drawing Darth Vader! LOL! I swear I'm NOT - he just looked this way before I started drawing the mouth.
When I sketched in the lower jaw and blocked off the area for the teeth, I was seriously reminded of the smiling Italian woman from my Whimsical Women of the World series on my drawing channel last year! She was another student request (how to draw a smiling mouth with teeth), that I created a lesson around just for my students (see below).
For me, drawing teeth is a laborious process (hence why MOST of my whimsical faces and mixed media portraits have closed mouths!).
In all seriousness though, I think the biggest mistake people make when drawing teeth is drawing them all straight, perfect and the SAME. Check out how each tooth below has an individual, unique (and wonktastic) shape. It might look crazy - but I'm just drawing in the shapes I see in my reference photo. 
As soon as the upper teeth were sketched in, I headed into that bottom row to knock them out so we could move on with the drawing and get to my favorite part - shading!
In today's tutorial, I shaded with one of my favorite mixed media art supplies - fountain pen inks. Most people use these for writing or even drawing, but I use them exactly like I do my watercolors, and PAINT with them! If you're new to painting with fountain pen inks, check out this playlist. It's got your name all over it! If you love watercolor - this is definitely something you HAVE to try. 
I layered a variety of ink shades (Hot Dog Layer #2: Noodler's Ink) carefully on top of the previous layer (once the previous layer was dry), and worked from light to dark to shade my drawing to look like the skull drawing reference image (Click here if you want to grab a download of the drawing reference and all my HOT DOG SYSTEM layering tips with inspo from 20 of my artsy friends!!).
When I was happy with my "watercoloring," I moved on to incorporate colored pencils to smooth my transitions and work in some highlights (Hot Dog Layer #3).
Once those were in a good place, I pulled the tape off my journal page and started doodling in my 4th layer with my pentel pocket brush (Hot Dog Layer #4), and...DONE! I hope you enjoyed today's project and take some time to go through the helpful PDF I've put together for you!! I think you'll love seeing the mixed media inspiration from not only me, but from TWENTY of my artsy friends who also enjoy creating mixed media art journal pages and canvases with fewer supplies!! Thanks for hanging out with me today! ❤️ CHECK OUT ALL my art books on AMAZON ❤️ MY FAVORITE ART SUPPLIES on AMAZON ❤️ MY BELOVED FACEBOOK GROUP ❤️ FOLLOW ME ON INSTAGRAM
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Tombow Brush Pens are one of my all time FAVORITE art supplies. Lots of mixed media artists use them for making cards & brush lettering, but I use them to PAINT! In today's art supply demo, I'll show you why they're a MUST HAVE in my studio + the QUICK & EASY way I use them to create MAGICAL mixed media portraits. If you're a beginner in the world of mixed media art, or just curious about what tombows can do for you - today's video is a MUST SEE!!
Tombows are super popular with mixed media artists -especially card makers and stamping fanatics. People LOVE using them for brush letting and calligraphy type projects.
Tombow dual brush pens come with two nibs, one on each end. One is a brush nib and the other is a bullet nib. I really love the dual nib feature because it feels like I've got both a paintbrush AND a fineliner all in one product. Tombows are also great because they're acid free and super watersoluble (which means they melt like watercolors if you add water to them).
Today I'm working in my large 11x14 strathmore watercolor journal. It's filled with 140 pound color press paper, which can REALLY take a beating from whatever art supplies I feel like throwing at it! As you can see - I don't just do watercolor in this journal. I use it for mixed media projects too because it's so sturdy! Here's a fun project I did a few months ago...
I highly suggest if you're doing ANYTHING with watersoluble art supplies, you REALLY pay attention to the kind of paper you're using. I believe it's JUST AS IMPORTANT as your art supplies. In fact it IS one of your art supplies, and it totally makes a difference.
As you can see, I'm using a face drawing reference because that's usually how I work. I don't really use my references to try and copy exactly what the image looks like because I'm not super into realism.
I just think using a face photo reference while I draw inspires me to add details I may not have thought of from facial feature nuances to hairstyles, etc. I think a face drawing reference is also REALLY helpful to use as a face shading reference because it takes the guesswork out of deciding where to place shadows. You just look at your reference and BOOM. It tells you everything you need to know! 
Now today's side profile drawing is one of the trickiest profile drawings to master- called the three quarter view portrait. If you need help with how to draw a 3/4 view profile - here is a playlist for your from my YouTube Drawing Channel to get you started.
I've also got a FREE cheatsheet to help you remember the basics of drawing three quarter view faces.
Simply click the button below and I'll send it straight to your inbox.
Before you start with face shading, I HIGHLY recommend you swatch out your art supplies- whatever you are coloring with because I've been surprised ONE too many times when the color comes out not quite looking like the marker cap or tube of paint, so this can be a real life saver!
Some artists may want to keep a swatch sheet on every color they own. There are some products I do that with (especially my watercolors!!), but most often I'm more into just scribbling a few strokes off to the side for whatever piece I'm currently working on.
When I'm shading a face with my tombow dual brush markers, I hold my marker on the side and use it similarly to a paintbrush (on the brush nib side) to lay down a big chunk of color like in the picture above.
Since my intention is to add water and use my paintbrush to move the color around, I'm deliberately loose with my shading here. I just throw some color down in my lightest shade and move on. I'm all about quick and easy and THIS TECHNIQUE is BOTH!! 
As you'll notice in the video, I followed my lightest shade marker with a medium shade - using my photo reference as a guide to help me note darker shadows, and then switched to a dark shade to indicate the darkest shadows.
Simply adding a little water with your paintbrush will melt ALL the marker layers together to create BEAUTIFUL face shading on your drawing. Isn't this gorgeous???
When you're painting with tombows or any watersoluble marker - make sure each layer you do is completely dry before going back on top with your original supply because the fastest way to kill a marker is to put it into water.
NO markers "like" being added to a wet surface, so simply hit your piece up with a little hair dryer action before you go back in for another marker layer, and you'll be good to go. 
Check out how sparsely I lay down swathes of three purple tombow shades (light, medium & dark) while drawing a hairstyle for this profile drawing. This is ALL the color I put down.
When I'm playing around with watersoluble media I often activate TWO of my marker layers with water, and then draw on top and leave that final layer UNACTIVATED - to make the details pop. 
The only drawback I've found with tombows is they are not lightfast. Definitely keep that in mind if you're creating art to sell or gift. I don't actually recommend selling or gifting your originals because of this - but you could TOTALLY sell prints of them!!
I have found that tombows won't fade AS MUCH if your work is in an art journal because they'll be hidden from the sunlight. 
When it's time to add some detail, I pull out my pentel pocket brush. This is my FAVORITE art supply for eyelash drawing (remember NOT to use this until the layers underneath are FULLY DRY).
This pocket brush nib is like a paintbrush- it's made of a group of hairs and doesn't perform like your typical marker. A tombow "brush" nib is basically foam that's been shaped to LOOK like a brush and feel like you're working with a paintbrush (but it provides a bit more control than the pocket brush). If you need help with drawing eyelashes, click the button below and I'll send my EYELASHES CHEATSHEET straight to your inbox.
I've got a great eyelash drawing tutorial on my mixed media channel and another on my YouTube Drawing Channel to help you out if this is something you struggle with.
I hope you enjoy this mixed media tutorial and TRY tombows out for yourself!! They really are fantastic. The colors are unbelieveable and the markers themselves are really affordable. I think you'll love painting with them as much as I do!!
REMEMBER TODAY (APRIL 26th) is the KICKOFF of my FUN FAB FAIRIES WORKSHOP!!!
You can STILL sign up to join me and the rest of the gang for an amazing week of fairy drawing lessons! CLICK HERE to REGISTER. If you find this post well after the live portions of this workshop have ended, all you're missing out on are the daily giveaways and Facebook LIVES. The Fun Fab Fairies course is STILL available at Awesome Art School as a stand alone course for you to enjoy!!
❤️Did you know I've started a FUN new podcast with my Scottish, artsy bestie, Lucy, ALL ABOUT SCOTLAND & the mythical goodness I can't get enough of about this magical place?! YES - we talk about everything including ARE Fairies Real?! (You know I think they are!!)
The podcast is called 1 Scot, 1 Not! Check us out on YouTube and here's our podcast website! ❤️Want FREE, immediate access to my Fun Fab Drawing Club and/or Mixed Media Society plus discounts on all my art books, sneak peek at YouTube videos and new book content, behind-the-scenes fun and MORE? Join me over on Patreon today and get HUGE PERKS in return for a small monthly donation. ❤️ CHECK OUT ALL my art books on AMAZON (available in both Kindle and Paperback) ❤️ SIGNED COPIES of my art books on ETSY ❤️ MY FAVORITE ART SUPPLIES on AMAZON ❤️ MY BELOVED FACEBOOK GROUP ❤️ FOLLOW ME ON INSTAGRAM ❤️ FOLLOW ME ON FACEBOOK
Gesso vs Absorbent ground? Which one would you reach for if you're in the mood to do a little watercoloring in your mixed media art journal and feel the need to prep the surface first? Today I'm doing a little experiment in my own art journal so you don't have to! We'll compare how watercolor on gesso looks on an art journal page vs. how watercolor looks on a page prepped with golden absorbent ground!
If you've never started an art journal on your own before (GASP!!!) You're missing out on SO MUCH FUN!!
SO many people think about trying something like art journaling and never follow through with it. A lot of them get intimidated by that big empty white page, or ALL the empty white pages in a journal. If you're one of these people - this is so common. I can help you to get over that hurdle so you can start having FUN with art!! Click the button below to get my FREE pdf to give you the KICK IN THE PANTS you need to start art journaling ;) It's filled with tons of tips and advice from not only me, but one of my artsy idols - Bob Ross! We'll have you "breaking the blank page" and creating in no time!!!
Before we continue, super quick announcement: If you're in the market for new art supplies, or curious what I'm using, supply links are included below. All product links are Affiliate. I may earn a small commission if you choose to order through these links but by law there is never any additional cost to the consumer for doing so. I thank you for your support!
I love Liquitex gesso for my mixed media work, so that is what I'll be using for today's little experiment. Because gesso is specifically MADE for acrylic paints, it preps any surface you want to work on for acrylic paints. I also love to use white gesso as a replacement for white acrylic paint when I'm creating my mixed media portraits because it's more transparent than your typical white acrylic paint, and I love the way that looks when I'm doing mixed media art - especially if there is a collage in the background! For the purpose of today's demo, I'm testing how gesso works with watercolor so you don't have to!! I've decided to start these art journal pages off with a bit of simple collage in the background. Colorful, patterned napkins are one of my go-tos for collage art. I find they're easier to work with if you pull the layers apart so you're only working with one ply. If you're curious about how to do wrinkle free mixed media collage backgrounds with paper napkins, I recently did a YouTube tutorial on that- so be sure to check it out if you missed it and simply hate those wrinkles!! 
I almost always use matte medium as my collage adhesive whether I'm working in my mixed media art journal or on canvas. If you'd like to know more about WHY matte medium is typically what I reach for, check out this mixed media art tutorial on my YouTube channel for the side by side comparison of matte medium vs mod podge.
Today I'm working in one of my Strathmore watercolor art journal because I absolutely LOVE this for mixed media art journaling. I also love to work big, so I buy the 11" x 14" version. It's filled with 140 pound cold press (cold press paper has texture to it - it's not smooth) watercolor paper. If you're art-ing along with me (and I hope you do!!!)- be sure to take care when selecting your paper, journals, or whatever substrate you choose to work on. It's EQUALLY important as the art supplies you are using. 
I felt like these collage pages needed some bright color so added some hot pink washi tape then got right to it - covering the middle of my left side journal page with gesso, and the right side with absorbent ground.
I feel like a lot of mixed media artists skip over absorbent ground all together, so I want to make sure you know what it does and how to use it if you enjoy watersoluble art supplies. 
Golden's absorbent ground has basically the same consistency as Liquitex Gesso, and has the same level of transparency to it - which I love, because I enjoy a little collage art peaking through the face of whatever mixed media girl I'm painting into the foreground of my art journal pages!
Just so you know, absorbent ground can be added to basically ANY surface that normally wouldn't "play nicely" with watersoluble supplies (even wood!). It's especially awesome if you like to upcycle old books into altered book art journals and enjoy watercoloring! Typically I will do two coats of absorbent ground to keep the coverage fairly light and transparent. When I'm using gesso, I typically do one coat for the same reason. Acrylic paint dries itself into a plastic so it doesn't need heavy priming. Watercolors need a little more baby-ing. I hit both pages with my hair dryer to dry them. Once dry, I can feel right away with my hands how much smoother the right side page of my paper is because of the Absorbent Ground. The gesso on the left side really kind of preserves the original texture of my cold press paper, while the absorbent ground minimizes the texture and makes it feel more like hot press watercolor paper. 
I sketched a simple face on both pages in pencil, and doodled on top of that with my watercolor markers.
When I start brushing some water onto the gesso side of my paper to activate the watercolor marker lines (see below - it's the side in blue), I can still see some of the texture from the paper poking through underneath it. Both the paint and any water I add stay very much on the surface due to the gesso. It blocks the paper from absorbing the color or the water, so the paint just pools on top. My brush can move the pools around, but the paper can't absorb it, which isn't a desirable effect to me.
It's not "wrong" in any way- it's just not how I prefer to work with these supplies, so let's test out the absorbent ground page to see how things go over there... 
On the absorbent ground side (in green, below), when I activate my lines with water, there is definitely less pooling of paint and water. You can see this for sure when I attempt to soften a "hard edge" by reactivating a line that had started to dry. The surface feels a bit more predictable to work on with watercolor and is much easier to blend on - both of which, I really like and prefer.
These effects may not matter to you, but if you are someone who likes to go back in and blend lines out, touch things up, etc., absorbent ground is really gonna be your friend. It allows watersoluble mediums (any art supply you can activate with water) to really behave as they typically would on watercolor paper.
It's funny - I posted a sneak peek of this project early over on Instagram and a ton of followers - even my professional artist friends - actually asked me about the markers I was using! In case you're interested too - they're watercolor markers by Faber Castell, and I just love them! They are a bit more expensive because they are a fine art product, but they're worth it in my book, and they won't fade over time because they're light fast.
These two are in what I lovingly refer to as "the ugly phase" (above!), which means they're about half way done, and not looking nearly as beautiful as they will if I keep on layering my supplies and pushing through till the end!
After a few more layers with the watercolor markers, I decide to go in and doodle on top of my girls with pen because I LOVE the way pen looks on top of watercolor! 
Make sure you actually watch the video for today's demo to see for yourself what I experienced. I'm a big fan of learning about how an art supply behaves and using it in that way so I don't just make a mess!
LOVE MIXED MEDIA & ART JOURNALING? Learn more about the Mixed Media Society and join the waitlist to get notified when I'm open for enrollment! ❤️ CHECK OUT ALL my art books on AMAZON ❤️ MY FAVORITE ART SUPPLIES on AMAZON ❤️ MY BELOVED FACEBOOK GROUP ❤️ FOLLOW ME ON INSTAGRAM The thrift shop is AMAZING if you need mixed media art journaling ideas! Join me on a little field trip to one of my favorite shops in Durham called The Scrap Exchange. I'll show you EXACTLY what I look for when I'm on the hunt for old books to upcycle into mixed media art journals and altered book art journals! It's SO much fun, and you won't believe HOW CHEAP!! I might have spent a whopping 8 bucks!! And, yes... before you EVEN THINK IT... this is pre-covid, hence the NO MASK routine- when things were "normal." Sigh...  Before we even walk into the store, here are the TOP 3 THINGS I'm always looking for when I'm on the hunt for an old book to upcycle into an altered book art journal for my mixed media masterpieces!! 1. Matte pages that are super flat - not glossy 2. Threaded binding 3. Thin books (12 - 30 pages usually feels good to me because I like to FILL my art journals completely!!) QUICK THRIFT TRIP TIPS: Head to the children's section & sheet music book section and you're sure to score!!  Grabbing an old book like the one pictured above is AWESOME to keep around when you're in the mood for collage! I love these types of books because the pages are usually really thin and distressed looking already (another LOVE IT for me). Additionally the pages are usually very pourous and soak up whatever adhesives and primers I throw at them from matte medium to gesso! Lots of people have asked if I feel bad taking these old books home to use for art. I'll tell ya what- I don't. Not one bit!! That's because I specifically look for the books that are super beat up and completely on their last legs anyway- with missing pages, no cover, etc. I take the ones that no one else wants. THESE are my treasures!  I also REALLY love picking up books that have a variety of font sizes and typefaces in them. It just makes things more interesting to look at if you mix these elements up in your collage art.  Magazines like the one above are GORGEOUS, but I really shy away from them because they are typically super glossy, and I know working on a matte surface is going to yield better results, so as much as this glamour shot is calling my name - back she goes onto the shelf for someone else.  The pages of the children's encyclopedia above are PERFECT and exactly what I'm looking for, but there are SO many pages in this book, it's a little overwhelming. If I can't find something, I may come back to this one, because it's possible to systematically score and remove pages to thin the book out without compromising it's integrity if it has threaded binding (see below). I don't know if I'm in the mood for that much effort though, and with SO many options in this thrift shop - I keep digging!  As you'll see in the video, we ended up with quite a few awesome finds! I found an old fashioned giant coloring book of "Alice in Wonderland" that felt just perfect to me. Mandi grabbed an old book of paper dolls, some sheet music, and a board book. Board books like the one she found (below) can be great as altered books! They're super sturdy and this one has a particularly fun shape! Just a word of warning - board books often have a sheen or gloss to them, which can make art-ing on top of them tricky. A great work around is to literally spray them with paint primer, or to sand the gloss right off the page!  Once you've decided which book you want to turn into an art journal, it's super easy to get started. I often begin with shoring up the pages using some pretty duct tape down the center to reinforce the binding. This typically sets the stage for my entire color scheme for a piece! If getting started feels hard (TRUST ME, YOU'RE NOT ALONE!!), I've got a Bob Ross inspired "Kick in the Pants" PDF for you to help you start art journaling so you can get over the fear of the blank page, and just start HAVING FUN already!! CLICK the button below and I'll send that fun art journaling cheatsheet straight to your inbox!!   After you grab your art journaling cheatsheet, be sure to binge this entire series on YouTube about art journaling. I promise it will help you get OVER the HURDLE and just start creating. Here is one of the funny, no stress projects we do! Aren't these emus hilarious?!  If you're in the mood to try addding human faces to your art journal, but kinda hate drawing or feel intimidated by it - I've got an entire NO DRAW series of art journaling prompts to help you try this as well. It's SO much fun!! You can download my FREE face shape template, and I teach you EXACTLY how to use her so you can play around with adding gorgeous faces in your art journal - without the stress of having to learn how to draw!  The children's book I bought on this thrift shop field trip turned out to be so much fun to work in. Here's one of my favorite pieces I created inside. She's actually a mixed media art tutorial as well. That tear wasn't meant to be there, believe it or not. Find out HOW it came to be by clicking HERE.  If hope you have just as much fun on your own thrift shop adventure and creating your own mixed media art journal as I did!! See ya back here next week!! |
Karen CampbellFounder of Awesome Art School. Mixed Media Artist. Author of 15 Instructional Art Books!    
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What Fans Are SayingKaren, you are absolutely fabulous! You make me feel like I can draw anything. I have recently retired and finally have the time to do some of the art that I have loved since I was in school. I am really at the beginning of my art journey and I hope to learn as much as I can. Thank you for all you do. |
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