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I've never used ecoline brush pens for a full project before, so today's the day! I was really interested to see how they compare to my beloved Tombow brush pens and Winsor Newton watercolor markers because I LOVE doing brush pen drawings and paintings in my signature mixed media style. Click over to the video to see the demo, brush pen comparison, and my thoughts as I work with Ecolines in real time to create this fun mixed media portrait in 3/4 view. Before we continue, super quick announcement: All product links are Affiliate. I may earn a small commission if you choose to order through these links but by law there is never any additional cost to the consumer for doing so. I thank you for your support! 
I typically create brush pen drawings and end up adding water to them with a paint brush or water brush because I love the effects you can get. They look so much like watercolor, and are WAY cheaper to work with!
If you're someone who feels a little intimidated by working with a paint brush, you might enjoy the control of working with brush pens and working your way up to adding water. You can also use them completely dry, like a regular marker, and not add water if you want! 
As you'll see in the video- I'm comparing the Ecolines to 3 others brands: Arteza, Tombow, and Winsor Newton.
The Arteza brush pens are a bit different because they're the only one in this product mix with a brush nib that is actually like a paint brush with individual hairs at the tip. 
While this is really cool - it actually makes coloring much more difficult because they're not super juicy. The Arteza brush pens also have a hard barrel which means you can't squeeze them to get more color flowing.
As you can see in the pic above, the individual hairs will separate while you're coloring, so the coverage isn't amazing. The one bonus is - this set is way cheaper than the others, so if you don't mind working a bit harder to get the coverage you want, you can get 96 colors for around $54 (or just 50 cents/marker). 
When I pick up the Tombow brush pen in one hand and the Arteza in the other hand, I can definitely feel a difference in weight. Tombows are super juicy, so I'm guessing that weight difference is more ink in the barrel.
Tombows also have TWO nibs in each marker: the brush nib, and the bullet for helping you get into teeny, tiny spaces. Tombow has a set of 96 for around $146. You're definitely paying more per marker here, but I've actually never had one run out on me yet, so you can be confident these will last you quite a while!! 
Tombows are definitely my fave when I'm doing art journal pages because they're so easy to take on the road if I want to art while I'm on vacation, or whatever. I even used to take them to carpool and do art in my car while waiting for the boys to get out of school!!
The only downside about Tombows is they're not lightfast, so if you want to make something that's never gonna fade, and will last forever, this may not be the brush pen for you! The same is true for the other lower priced brush pens we're looking at today (Arteza and Ecoline).
HOT TIP: If you are on a budget and need to buy the lower priced brush pens, take a photo (or photocopy, scan, etc.) to preserve your art before the color begins to fade. Remember, it will fade much quicker if you hang it up in direct sunlight. 
Winsor Newton watercolor markers are my top fave in terms of quality. The pigment is gorgeous and lightfast, so it will not fade because they're considered a fine art product.
Like the Tombows, these have both the bullet and brush nibs in each marker, and they're gonna last you forever. They also "move" the most when you add water to them, so they're not just watersoluble, they really FEEL like watercolor. The downside of Winsor Newtons is they don't come in nearly as many colors, and being a fine art product, they're more expensive. The cheapest you can get them is around $4/each, but their quality is outstanding. 
What I'm playing with for today's mixed media portrait tutorial are the Ecoline Brush Pens. They're NOT lightfast, but are super fun to play with, and easy on your budget at about $2/marker when you buy a set of 30 for $60.
They have a bunch of skin tone shades, which is what attracted me to them, so of course I had to check these out for you to let ya know if I think they're worth it! The Ecolines have a smaller nib than the others I tested them against today, but I definitely don't hold that against them because they're nice and juicy. Click over to the video to see how each marker compares when activated with water and come do this tutorial with me in REAL TIME! 
Today's watercolor marker tutorial is of a face in 3/4 view. A portrait in three quarter view is one of the hardest face angles to draw, so if you're new to drawing faces, or feel you need some tips to get you started - I've got a cheatsheet for that!
Simply click the button below, and I'll send you my face drawing guidelines for how to draw a 3/4 view portrait. 
If you are totally new to drawing faces, and interested in learning, I recommend the following playlists for you (in order):
1. How to Draw & Shade a Forward Facing Face 2. Side Profile Drawing 3. 3/4 View Face All of the above playlists have cheatsheets to help beginners and step by step face drawing tutorials to help you. Back to today's tutorial... 
I'm not being too fussy with my face sketch today because I really want to get to the coloring portion of the project!
After my face was sketched in, I selected 3 Ecoline marker shades that went well together to create light, medium, and dark skin tones. I tried using the same technique I do when shading with Tombows. I add streaks of light, medium, dark - then activate with water to blend. 
I leave things streaky on purpose because that typically blends right out with water - at least that's my experience with Tombows. When I added water with my paint brush to the Ecoline pigment, I felt like the skin tones blended pretty well, but the blues I used for her hair were much juicier and a bit easier to activate with water. Not sure why!!
I don't have any black brush pens in my Ecoline set, so I incorporated my pentel pocket brush to start adding in detail (especially when drawing eyelashes!)
If you have questions about the pentel pocket brush, I've got two different videos on it - one about how to draw eyelashes on mixed media portraits on my mixed media YouTube channel, and one on my drawing channel. 
Make sure you click over to the video to find out my FULL opinion on whether or not I think Ecolines a great addition to your art supply stash!
Thanks for hanging out with me today!! ❤️ CHECK OUT ALL my art books on AMAZON ❤️ MY FAVORITE ART SUPPLIES on AMAZON ❤️ MY BELOVED FACEBOOK GROUP ❤️ FOLLOW ME ON INSTAGRAM
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Tombow Brush Pens are one of my all time FAVORITE art supplies. Lots of mixed media artists use them for making cards & brush lettering, but I use them to PAINT! In today's art supply demo, I'll show you why they're a MUST HAVE in my studio + the QUICK & EASY way I use them to create MAGICAL mixed media portraits. If you're a beginner in the world of mixed media art, or just curious about what tombows can do for you - today's video is a MUST SEE!!
Tombows are super popular with mixed media artists -especially card makers and stamping fanatics. People LOVE using them for brush letting and calligraphy type projects.
Tombow dual brush pens come with two nibs, one on each end. One is a brush nib and the other is a bullet nib. I really love the dual nib feature because it feels like I've got both a paintbrush AND a fineliner all in one product. Tombows are also great because they're acid free and super watersoluble (which means they melt like watercolors if you add water to them).
Today I'm working in my large 11x14 strathmore watercolor journal. It's filled with 140 pound color press paper, which can REALLY take a beating from whatever art supplies I feel like throwing at it! As you can see - I don't just do watercolor in this journal. I use it for mixed media projects too because it's so sturdy! Here's a fun project I did a few months ago...
I highly suggest if you're doing ANYTHING with watersoluble art supplies, you REALLY pay attention to the kind of paper you're using. I believe it's JUST AS IMPORTANT as your art supplies. In fact it IS one of your art supplies, and it totally makes a difference.
As you can see, I'm using a face drawing reference because that's usually how I work. I don't really use my references to try and copy exactly what the image looks like because I'm not super into realism.
I just think using a face photo reference while I draw inspires me to add details I may not have thought of from facial feature nuances to hairstyles, etc. I think a face drawing reference is also REALLY helpful to use as a face shading reference because it takes the guesswork out of deciding where to place shadows. You just look at your reference and BOOM. It tells you everything you need to know! 
Now today's side profile drawing is one of the trickiest profile drawings to master- called the three quarter view portrait. If you need help with how to draw a 3/4 view profile - here is a playlist for your from my YouTube Drawing Channel to get you started.
I've also got a FREE cheatsheet to help you remember the basics of drawing three quarter view faces.
Simply click the button below and I'll send it straight to your inbox.
Before you start with face shading, I HIGHLY recommend you swatch out your art supplies- whatever you are coloring with because I've been surprised ONE too many times when the color comes out not quite looking like the marker cap or tube of paint, so this can be a real life saver!
Some artists may want to keep a swatch sheet on every color they own. There are some products I do that with (especially my watercolors!!), but most often I'm more into just scribbling a few strokes off to the side for whatever piece I'm currently working on.
When I'm shading a face with my tombow dual brush markers, I hold my marker on the side and use it similarly to a paintbrush (on the brush nib side) to lay down a big chunk of color like in the picture above.
Since my intention is to add water and use my paintbrush to move the color around, I'm deliberately loose with my shading here. I just throw some color down in my lightest shade and move on. I'm all about quick and easy and THIS TECHNIQUE is BOTH!! 
As you'll notice in the video, I followed my lightest shade marker with a medium shade - using my photo reference as a guide to help me note darker shadows, and then switched to a dark shade to indicate the darkest shadows.
Simply adding a little water with your paintbrush will melt ALL the marker layers together to create BEAUTIFUL face shading on your drawing. Isn't this gorgeous???
When you're painting with tombows or any watersoluble marker - make sure each layer you do is completely dry before going back on top with your original supply because the fastest way to kill a marker is to put it into water.
NO markers "like" being added to a wet surface, so simply hit your piece up with a little hair dryer action before you go back in for another marker layer, and you'll be good to go. 
Check out how sparsely I lay down swathes of three purple tombow shades (light, medium & dark) while drawing a hairstyle for this profile drawing. This is ALL the color I put down.
When I'm playing around with watersoluble media I often activate TWO of my marker layers with water, and then draw on top and leave that final layer UNACTIVATED - to make the details pop. 
The only drawback I've found with tombows is they are not lightfast. Definitely keep that in mind if you're creating art to sell or gift. I don't actually recommend selling or gifting your originals because of this - but you could TOTALLY sell prints of them!!
I have found that tombows won't fade AS MUCH if your work is in an art journal because they'll be hidden from the sunlight. 
When it's time to add some detail, I pull out my pentel pocket brush. This is my FAVORITE art supply for eyelash drawing (remember NOT to use this until the layers underneath are FULLY DRY).
This pocket brush nib is like a paintbrush- it's made of a group of hairs and doesn't perform like your typical marker. A tombow "brush" nib is basically foam that's been shaped to LOOK like a brush and feel like you're working with a paintbrush (but it provides a bit more control than the pocket brush). If you need help with drawing eyelashes, click the button below and I'll send my EYELASHES CHEATSHEET straight to your inbox.
I've got a great eyelash drawing tutorial on my mixed media channel and another on my YouTube Drawing Channel to help you out if this is something you struggle with.
I hope you enjoy this mixed media tutorial and TRY tombows out for yourself!! They really are fantastic. The colors are unbelieveable and the markers themselves are really affordable. I think you'll love painting with them as much as I do!!
REMEMBER TODAY (APRIL 26th) is the KICKOFF of my FUN FAB FAIRIES WORKSHOP!!!
You can STILL sign up to join me and the rest of the gang for an amazing week of fairy drawing lessons! CLICK HERE to REGISTER. If you find this post well after the live portions of this workshop have ended, all you're missing out on are the daily giveaways and Facebook LIVES. The Fun Fab Fairies course is STILL available at Awesome Art School as a stand alone course for you to enjoy!!
❤️Did you know I've started a FUN new podcast with my Scottish, artsy bestie, Lucy, ALL ABOUT SCOTLAND & the mythical goodness I can't get enough of about this magical place?! YES - we talk about everything including ARE Fairies Real?! (You know I think they are!!)
The podcast is called 1 Scot, 1 Not! Check us out on YouTube and here's our podcast website! ❤️Want FREE, immediate access to my Fun Fab Drawing Club and/or Mixed Media Society plus discounts on all my art books, sneak peek at YouTube videos and new book content, behind-the-scenes fun and MORE? Join me over on Patreon today and get HUGE PERKS in return for a small monthly donation. ❤️ CHECK OUT ALL my art books on AMAZON (available in both Kindle and Paperback) ❤️ SIGNED COPIES of my art books on ETSY ❤️ MY FAVORITE ART SUPPLIES on AMAZON ❤️ MY BELOVED FACEBOOK GROUP ❤️ FOLLOW ME ON INSTAGRAM ❤️ FOLLOW ME ON FACEBOOK
I LOVE drawing fairies as much as I LOVE listening to stories about REAL fairies and teaching my students about drawing & shading faces! I've put together a 5-day fairy drawing workshop called Fun Fab Fairies and will be teaching you how to complete THREE easy drawings of fairies. You'll learn how to draw a fairy sitting on a mushroom, how to draw fairy wings, how to draw a fairy face + how to shade a fairy face, and exactly what you need to do to turn these pencil drawings into your very own masterpieces!!
I LIVE for teaching people how to draw faces and can't wait to do this with you!
The LIVE festivities for How to Draw FUN, FAB FAIRIES kick off on Monday, April 26th. On days 1-3 will be a learning how to draw a mushroom, fairy with wings, grasshopper, grass - all from scratch! Then I'll teach you how to shade and color it in. 
On day 4 - I'm gonna teach you how to draw and shade a fairy face in pencil in my "Fub Fab" style - also from scratch! We'll be working in pencil, I'll teach you about the value scale and how to use this when you're shading faces so your drawings will POP and look more realistic.
On day 5 I'm going to teach you how to draw and color in the fairy face from day 4 using alcohol markers!
Never used alcohol markers for shading a face (or anything) before? Don't worry- I've got TONS of resources for you. This FREE 12-page eBook I created about how to shade with skin tone markers (and how to CHOOSE which marker shades go best together!!) will be your NEW BEST FRIEND!! 
Simply click the button below, and I'll send this FREE 12-page PDF straight to your inbox.
I tell you EXACTLY which marker shades go best together to shade light, medium and dark skin tones using alcohol markers by Copic, Ohuhu and Arteza so you can choose which brand is best for you and your budget! If you're interested in learning how to draw FUN FAB FAIRIES with me, make sure you sign up before April 26th, because the price to participate is jumping from $10 to $47!! CLICK HERE to SIGN UP for the FAIRY DRAWING WORKSHOP 
Cost for all 5 days of this workshop (including the Facebook LIVES with daily giveaways) is $10. But make sure you sign up NOW because the cost is going up to $47 to join on Monday, April 26th.
Everything for the workshop is included from added PDF resources and links to supplies, to all the prerecorded content. AND it's ALL YOURS TO KEEP, download and rewatch forever! CLICK HERE to SIGN UP for the FAIRY DRAWING WORKSHOP Even though the workshop has LIVE festivities beginning on April 26th, there is no pressure to complete the workshop lessons on a time schedule. You are welcome to play at your own pace.
I hope you join me for FUN, FAB FAIRIES!!
Need info about other stuff?? Here ya go!! ❤️Did you know I've started a FUN new podcast with my Scottish, artsy bestie, Lucy, ALL ABOUT SCOTLAND & the mythical goodness I can't get enough of about this magical place?! YES - we talk about everything including ARE Fairies Real?! (You know I think they are!!) The podcast is called 1 Scot, 1 Not! Check us out on YouTube and here's our podcast website! ❤️Want FREE, immediate access to my Fun Fab Drawing Club and/or Mixed Media Society plus discounts on all my art books, sneak peek at YouTube videos and new book content, behind-the-scenes fun and MORE? Join me over on Patreon today and get HUGE PERKS in return for a small monthly donation. ❤️ CHECK OUT ALL my art books on AMAZON (available in both Kindle and Paperback) ❤️ SIGNED COPIES of my art books on ETSY ❤️ MY FAVORITE ART SUPPLIES on AMAZON ❤️ MY BELOVED FACEBOOK GROUP ❤️ FOLLOW ME ON INSTAGRAM ❤️ FOLLOW ME ON FACEBOOK If you are just getting to know me... it won't take you long to discover I'm obsessed with all things Scotland, and fairies!! I love drawing their adorable, pointy ears and teaching students how to draw fairy ears.  This is one of my art journal spreads from my Scotland art retreat last year. She's watercolor and ink! Since I can't go back to Scotland for a while, I'm amusing myself at home in my studio whenever I can with cute fairy projects. The other day I posted one as a new lesson for The Fun Fab Drawing Club! Club members are welcome to join at ANY stage of drawing experience to work on building new skills to really take their work to the next level. And of course, because this is my club - it's never stuffy or boring! I LOVE teaching students how to draw faces in a whimsical style to keep things light and enjoyable, without any pressure!! Fun Fab Drawing Club members who consider themselves beginners learn the basics of line weight and do a bit of zentangling to get them used to having fun making marks on paper.  This month, I've added a cute new fairy drawing lesson for my Pixies - or anyone else who'd like to keep things easy, simple, colorful and FUN!! IF you're ALREADY a Fun Fab Drawing Club member, I've dropped this lesson into the Fantasy Classroom.  If you're not a member of The Fun Fab Drawing Club, and want to learn more about it and get your name on the waitlist to be notified when enrollment opens in the spring, just hop over to Awesome Art School! One of my favorite things to see on Facebook after a new lesson has posted, are all the amazing artists who share their interpretations!! Each one is special. I'm SO PROUD OF ALL MY STUDENTS!!! I need to brag on two of the first who shared their beautiful work...  How CUTE is that?! She's precious, Paula!! I LOVE how she used watercolor instead of copics to mix things up! Debbie shared this one...  SO cute, Debbie!!! She is adorable!! Awesome highlights, girl!! Don't you wonder what she's looking at??? Thank you both for sharing and for letting me RE-SHARE your gorgeous artwork :) If YOU are interested in learning more about The Fun Fab Drawing Club - please pop your name on the waitlist over at Awesome Art School so I can send ya a quick note when enrollment opens. We'd love to have you there!!  If you need a little drawing inspiration right now - please feel free to jump on over to my Drawing Channel on YouTube. I've got tons of fun projects for you to try - including my new Whimsical Women of the World Drawing Series!! We are having a blast with that, and would LOVE to have you join us! All of these lessons are free on YouTube and are being posted once/week on Mondays. We'll have 12 Whimsical Women's faces when we're done. See ya there!! This is part two of my 3/4 face drawing series on my Drawing Channel over on YouTube! If you missed the first episode, go ahead and start here so you can draw this girlie along with me!  Today we're doing some EASY pencil shading techniques to add drama to our three quarter portrait face drawing! I used the same photo reference as I did to sketch my drawing. Even though this is a whimsical face, I feel it makes a HUGE difference in my work if I use a reference photo to tell me where I should add in shadows, and how dark they should be.  One of the fun things about drawing in a whimsical style, is I can mix and match reference photos for my work and use them in different ways. For example, I really LOVE the dramatic shadows and highlights in this image (below). If I'm shading a face in pencil, I feel like it's super helpful to use a black and white shading reference like this one...  In my How to Draw and Find Your Style book, I talk in depth about how to take advantage of the value scale when you are shading. because it adds so much more depth and dimension to your drawings and sketches. The more tones you incorporate into your drawing from the value scale like bright white highlights, and dark black shadows, the more sophisticated your work will be. In today's shading tutorial I'm using one of my Blackwing pencils (TOTALLY unnecessary, but I SO LOVE THEM!!!). This one is equivalent to about a 4B, but you can absolutely use a simple #2 school pencil, so don't stress about your supplies! I start applying graphite by looking at my reference photo for the darkest areas first. When I'm shading, I often use the side of my pencil to begin. My initial layer of shading is very light and almost scribbly. After I have a light layer of shading down, I use my blending stump to "moosh" the graphite around. In this particular reference photo, the model is very light skinned, so I actually use the cleaner side of my blending stump to work my shading in and around the face. If I lay down too much, I simply pick a bit of that graphite back up with my eraser and moosh some more! For the darkest areas, I use the super dirty side of my blending stump.  When you're starting out with drawing and shading, I think it's SOOOOO much easier to practice in a whimsical drawing style. It just takes the pressure off and keeps things light and fun! And if you're having fun...you'll practice more, and if you practice... your skills will only grow and improve!! When my first layer of shading is done, I go back for a second layer of shading to really punch up my details that could have been lost while "mooshing" my graphite around with my blending stump. This is where the drama starts to come in!! Sometimes it can also help you to look at a reference photo with squinted eyes. It may sound funny, but doing this can often help you see darks and lights a bit more. The objective of shading for me is to use the WHOLE value scale. So you'll see me use a black colored pencil for the darkest darks - found in the crease of her lips and in her pupils. Additionally, for my brightest white highlights, I will typically carve out some of the graphite I already put down with an eraser.  I hope you have fun with this face shading practice!! Please stay tuned for next week's video. I'll be shading another 3/4 portrait using copic markers. Have a great week!!!! I've been drawing since FOREVER. But when I first started, it was SERIOUSLY hard to figure out where to put shadows and highlights on a face drawing to make it look 3 dimensional- like a more sophisticated drawing. I found this to be ESPECIALLY HARD whenever I would draw faces from different angles. Today's FULL LENGTH, real time drawing lesson on YouTube is going to help you skip of the hard parts of wondering where to drop in the shading or highlights on a profile face, so you can create some profile drawings you are SUPER PROUD of!!!  My first shading trick is to REALLY LOOK at the art you admire from other artists! Focus on the areas of that artwork that show light and dark in the face. Here's an example of a piece I LOVE and used as a REFERENCE to inform me where lights and darks could go in my own drawing. This is called reference drawing! It's a thing, and can definitely help you grow as an artist. Isn't this beautiful?? So dramatic!!  This piece was done by a Dutch digital artist I adore, Loish (Lois Van Baarle). I absolutely LOVE her work! If you look closely at the the piece below, you'll see that I tried to replicate the light source and technique Loish used around the eyes of her girl when I created my own...  One of my favorite ways to demonstrate to students how light source affects the faces we draw, is using a foam head from the craft store and simply shining a flashlight on it. When you move the flashlight around, you can see exactly where the shadows and highlights are. This is exactly what you need to look for and imagine in your own drawings to add realistic shading to your face drawings - whatever angle you're drawing from!  Sound confusing? CLICK HERE to watch my demo. Now- don't worry, I'm not telling you to go get a foam head in order to draw realistic shadows! If you're drawing a profile in pencil and want to add some shading, the EASIEST thing you can do is pull up a black and white profile photo on your phone. If you look closely, the photo will show you exactly where the lights and darks need to go for your drawing. That's it!!! It REALLY is THAT simple!!! Take a look at this image. REALLY look closely to see where the shadows are falling. If you need to- squint your eyes a bit!  For this particular profile photo, the shadows are showing up primarily under the chin and neck- extending up to her earlobe. See what I mean? That wasn't too hard was it? You're totally gonna be looking at photos differently from now on, aren't you?! AWESOME!!! It's going to make you a better artist!!! OK!! On to today's project... we are shading the profile face we drew in last week's episode. If you missed that episode, CLICK HERE to draw the simple profile with me in real time.  Shading a profile (or a face from any angle) is really much easier than you think! All you need to do is lay down a little graphite from your pencil and SMOOOOOSH it around with your blending stump (that's what I'm holding in the pic above!). If you don't have a blending stump- just use your finger, a cutip, or even a tissue to move graphite around on your paper.... Be as DRAMATIC as you want to with your shading!!! YOU are the CREATOR!!!  A little realistic shading on a whimsical face REALLY punches it up, and takes your art to the next level!! Personally, I LOVE me some DRAMA in my artwork, so of course you're gonna see super DARK shadows and bright white highlights in my work. That's part of what makes my work, mine- it's my style. YOU do YOU!!! Remember - a reference photo is just that- a reference. Don't feel like you have to match things exactly. AND you don't even have to use a reference photo EVER. This is just an example of one way to help you get started. Have SO much FUN with today's YouTube lesson!!! CLICK HERE or press the play button below to watch. See ya next week!!! Today is Friday which means NEW FREE YouTube lesson!! This project was particularly satisfying for sooooo many reasons! Well, I'll just list them off so you know what they are! First all, I got to paint with my fountain pen inks. They are soooooo vibrant and juicy and satisfying (due to their vibrancy and juiciness) that I cannot even compare them to any other medium I love them so much! This is the one I use for skin color. It's DIVINE!  I can now draw hands after publishing a book on them! I can finally dive into any project that involves them and has truly opened up a whole new world of faces and characters now that I'm no longer afraid to tackle any drawing!  I spill 3 oz. of permanent ink all over my studio floor. There's nothing quite like an explosion of ink to liven things up in the old art room!  Glasses. Having the guts and courage to draw OVER and ON TOP OF a completely painted girl, is, well, TERRIFYING! But then the level of proud you feel when you actually pull it off is the BEST FEELING EVER!! So while it's scary, it's worth it!!! So my advice to you is to simply GO FOR IT.  The references I used today are so super cute!! The original reference photo was taken from Vogue Japan and I just fell in love with it when I saw it!!! Another reason today's project was so fun was because of my little feline side-kick!! Oh Tippie!!! So after the spill and the cat play and the juicy brushes filled with ink I was just delighted at the final outcome. Click on the video here to watch how YOU can learn how to paint glasses on YOUR mixed media girls!! Are you still afraid or unsure of where to put shading on your drawn or painted faces? You are SO NOT ALONE!! I hear this all the time from my Awesome Art School students. And I finally figured out a really fun but also CONCRETE way to not only explain how face shading works, but also how to SHOW you.  Sooooo many people are SCARED of shading, this video was made to HELP YOU! I know money is tight for so so many these days so along with the video, I'm also giving out a FREE 4 page pdf bundle of Face Drawing Cheatsheets that go along with the video. Because you are on my newsletter list, I am giving you the link here that will allow you to download all four incredibly helpful resources: I do need to add though, you're sort of wasting your time printing these out without watching the video today, they really go hand in hand. So really, to get the full understanding of the sheets, go and watch the video below and THEN go download the pages when you're ready to give it a go! |
Karen CampbellFounder of Awesome Art School. Mixed Media Artist. Author of 15 Instructional Art Books!    
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What Fans Are SayingKaren, you are absolutely fabulous! You make me feel like I can draw anything. I have recently retired and finally have the time to do some of the art that I have loved since I was in school. I am really at the beginning of my art journey and I hope to learn as much as I can. Thank you for all you do. |
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