Let's Get Your Creative Juices Flowing!!!
Tombow Brush Pens are one of my all time FAVORITE art supplies. Lots of mixed media artists use them for making cards & brush lettering, but I use them to PAINT! In today's art supply demo, I'll show you why they're a MUST HAVE in my studio + the QUICK & EASY way I use them to create MAGICAL mixed media portraits. If you're a beginner in the world of mixed media art, or just curious about what tombows can do for you - today's video is a MUST SEE!!
Tombows are super popular with mixed media artists -especially card makers and stamping fanatics. People LOVE using them for brush letting and calligraphy type projects.
Tombow dual brush pens come with two nibs, one on each end. One is a brush nib and the other is a bullet nib. I really love the dual nib feature because it feels like I've got both a paintbrush AND a fineliner all in one product.
Tombows are also great because they're acid free and super watersoluble (which means they melt like watercolors if you add water to them).
Today I'm working in my large 11x14 strathmore watercolor journal. It's filled with 140 pound color press paper, which can REALLY take a beating from whatever art supplies I feel like throwing at it! As you can see - I don't just do watercolor in this journal. I use it for mixed media projects too because it's so sturdy! Here's a fun project I did a few months ago...
I highly suggest if you're doing ANYTHING with watersoluble art supplies, you REALLY pay attention to the kind of paper you're using. I believe it's JUST AS IMPORTANT as your art supplies. In fact it IS one of your art supplies, and it totally makes a difference.
As you can see, I'm using a face drawing reference because that's usually how I work. I don't really use my references to try and copy exactly what the image looks like because I'm not super into realism.
I just think using a face photo reference while I draw inspires me to add details I may not have thought of from facial feature nuances to hairstyles, etc. I think a face drawing reference is also REALLY helpful to use as a face shading reference because it takes the guesswork out of deciding where to place shadows. You just look at your reference and BOOM. It tells you everything you need to know!
Now today's side profile drawing is one of the trickiest profile drawings to master- called the three quarter view portrait. If you need help with how to draw a 3/4 view profile - here is a playlist for your from my YouTube Drawing Channel to get you started.
I've also got a FREE cheatsheet to help you remember the basics of drawing three quarter view faces.
Simply click the button below and I'll send it straight to your inbox.
Before you start with face shading, I HIGHLY recommend you swatch out your art supplies- whatever you are coloring with because I've been surprised ONE too many times when the color comes out not quite looking like the marker cap or tube of paint, so this can be a real life saver!
Some artists may want to keep a swatch sheet on every color they own. There are some products I do that with (especially my watercolors!!), but most often I'm more into just scribbling a few strokes off to the side for whatever piece I'm currently working on.
When I'm shading a face with my tombow dual brush markers, I hold my marker on the side and use it similarly to a paintbrush (on the brush nib side) to lay down a big chunk of color like in the picture above.
Since my intention is to add water and use my paintbrush to move the color around, I'm deliberately loose with my shading here. I just throw some color down in my lightest shade and move on. I'm all about quick and easy and THIS TECHNIQUE is BOTH!!
As you'll notice in the video, I followed my lightest shade marker with a medium shade - using my photo reference as a guide to help me note darker shadows, and then switched to a dark shade to indicate the darkest shadows.
Simply adding a little water with your paintbrush will melt ALL the marker layers together to create BEAUTIFUL face shading on your drawing. Isn't this gorgeous???
When you're painting with tombows or any watersoluble marker - make sure each layer you do is completely dry before going back on top with your original supply because the fastest way to kill a marker is to put it into water.
NO markers "like" being added to a wet surface, so simply hit your piece up with a little hair dryer action before you go back in for another marker layer, and you'll be good to go.
Check out how sparsely I lay down swathes of three purple tombow shades (light, medium & dark) while drawing a hairstyle for this profile drawing. This is ALL the color I put down.
When I'm playing around with watersoluble media I often activate TWO of my marker layers with water, and then draw on top and leave that final layer UNACTIVATED - to make the details pop.
The only drawback I've found with tombows is they are not lightfast. Definitely keep that in mind if you're creating art to sell or gift. I don't actually recommend selling or gifting your originals because of this - but you could TOTALLY sell prints of them!!
I have found that tombows won't fade AS MUCH if your work is in an art journal because they'll be hidden from the sunlight.
When it's time to add some detail, I pull out my pentel pocket brush. This is my FAVORITE art supply for eyelash drawing (remember NOT to use this until the layers underneath are FULLY DRY).
This pocket brush nib is like a paintbrush- it's made of a group of hairs and doesn't perform like your typical marker. A tombow "brush" nib is basically foam that's been shaped to LOOK like a brush and feel like you're working with a paintbrush (but it provides a bit more control than the pocket brush).
If you need help with drawing eyelashes, click the button below and I'll send my EYELASHES CHEATSHEET straight to your inbox.
I've got a great eyelash drawing tutorial on my mixed media channel and another on my YouTube Drawing Channel to help you out if this is something you struggle with.
I hope you enjoy this mixed media tutorial and TRY tombows out for yourself!! They really are fantastic. The colors are unbelieveable and the markers themselves are really affordable. I think you'll love painting with them as much as I do!!
REMEMBER TODAY (APRIL 26th) is the KICKOFF of my FUN FAB FAIRIES WORKSHOP!!!
You can STILL sign up to join me and the rest of the gang for an amazing week of fairy drawing lessons! CLICK HERE to REGISTER.
If you find this post well after the live portions of this workshop have ended, all you're missing out on are the daily giveaways and Facebook LIVES. The Fun Fab Fairies course is STILL available at Awesome Art School as a stand alone course for you to enjoy!!
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The podcast is called 1 Scot, 1 Not! Check us out on YouTube and here's our podcast website!
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Drawing eyelashes on mixed media portraits can feel super intimidating because it's probably one of the LAST things you add to your masterpiece! So many of my students ask how to paint eyelashes that look realistic and just what paintbrush or supplies work the best, because they know I've tested them ALL!! Before I demo my secret weapon, we need to talk for a hot minute about how to draw eyelashes step by step...
The first thing to keep in mind when drawing eyelashes is DIRECTIONALITY. As you can see in my sketch below, I start by drawing a set of parentheses on the outer edges of both the top and bottom eyelids.
The midpoint of your eye drawing is where the directionality of your individual eyelash lines will change. That midpoint lash will basically be a straight line, followed by consecutive lashes flicking out in opposite directions, like you can see below.
Once you fill your lashes in on the top lid, repeat the process you followed for the lash line on the bottom eyelid. The second important part of drawing GORGEOUS eyelashes has to do with the amount of pressure you apply with your pencil (or whatever you're drawing with!).
You begin each lash line with MORE pressure, then flick up and out according to whatever directionality each eyelash needs to go. Confused yet?! WATCH the VIDEO ;) It makes WAY more sense when you see it in action....
Once you have all the eyelashes drawn in for the top and bottom eyelids, it's time to take a second pass across each lid line, because as humans - we have TONS of eyelashes! And let's be real...you want the girl you're drawing to have fab lashes, right?! Let's glam her up!!
While you're adding in a second set of lashes on each lid line, be sure to vary the length of each line. This is how our eyelashes are in real life. If you look closely - they're all different lengths. Paying attention to that little detail will make the eyelashes you draw look even more realistic!
How do you put all this amazing-ness into action for your MIXED MEDIA PORTRAITS?!
I'm so glad you asked!! Let me show you my secret weapon!!
I'm in LOVE with the pentel pocket brush pen. Here's why...
First of all, I love this pen because it contains permanent ink. This is extremely important to me in mixed media work because I have lots of layering going on with sealants, etc. I NEED my ink at this point to be permanent. If I want to add a final sealant over the pretty eyelashes I've just drawn, I KNOW the ink I just laid down with the pentel pocket brush pen isn't going anywhere!
One of the cool things about this pen is the tip of it is actually like a very fine brush. That means it applies like a paintbrush! Lastly - it's just a beautifully crafted pen!!
I will give you a tiny warning about this pen though... it's super sensitive, and honestly takes a bit of practice to get a feel for it at first. You'll want to play around with it in your sketchbook before using it right out of the box on your latest mixed media canvas! Just draw a bunch of practice eyes in your sketchbook and see what kind of pressure and look you like best!
After today's little eyelash lesson, I'll take you straight over to put this into practice on one of my mixed media hamburger system girls! This particular piece is from a couple of years ago- before I discovered my fav little pocket brush. Watch as I add these lashes in real time - using directionality, pressure, and varying my lash lengths. This cute little pen is also awesome for touching up eyebrows for a little added drama. So Fun!!
Come on over to YouTube and practice your eyelash drawing with me!!
If you need a copy of the Eyelashes Cheatsheet, just scroll down and request one in the comments of today's video. If you're a member of either the Fun Fab Drawing Club or Mixed Media Society (YAY!! I'm so happy you're here!!!), the Eyelashes Cheatsheet is already in your membership guide!!
I hope today's free drawing lesson helps you create mixed media lashes you are PROUD OF!! See ya next week ;)
I've been IN LOVE with Bryn Nguyen's mixed media portraits since she started posting them in my Facebook Group about 6 months ago! I'm so excited she agreed to do an art journal flip through with us & talk about how she creates these beauties with tombow markers on sheet music!
If you're into sheet music art, or have been looking for fresh mixed media art journal inspiration, altered book ideas, & new ways to sketch or paint mixed media faces - today's video has your name on it!!
Bryn shared that she started this altered book / art journal in a book of violin sheet music she bought at Goodwill for 99 cents!!! I LOVE doing this kind of thing too! It's so pretty to see the music notes peek through your art work. If you haven't tried it yet - you have to!!
Bryn has created a gorgeous style that's all her own and SO unique... you just have to come see for yourself!
While we chatted, she explained that she started this altered book back in March - when we all started hanging at home because of covid. She said she typically begins each page with a thin layer of gesso over the sheet music, then sketches her portraits in using a reference photo.
Bryn uses a combo of painting and shading techniques using tombow markers, copics, micron fineliners, posca pens, india ink, and polychromos to create her beauties, and said each of her mixed media portraits takes a couple of hours to complete.
Just LOOK at this insane masterpiece!!!!!
Bryn was an art minor in college and shared that she's constantly taking art classes, and that's how her style has evolved over time. She said she took a number of face courses a while back that weren't clicking. Then she stumbled onto my Fun Fab Faces books over on Amazon and did my #100FunFabFaces challenge last year. She even did ALL 100 faces!!!! Not many hung in there for the long haul like Bryn. I'm so proud of her, and her dedication shows in her work!!
Bryn also credits Toni Burt (LOVE HER! Everything she does is magical!) for helping her develop a looser style in her work. In addition to Toni, she loves James Burke (ME TOO! Totally "stalk" him and his gorgeous work!).
I'm super lucky to have Bryn as a long time member of BOTH The Fun Fab Drawing Club AND Mixed Media Society. I have to share a quick look at one of the pieces she did in The Fun Fab Drawing Club earlier this year...
FYI - if you're interested in either of my clubs - Bryn has some GREAT ADVICE if you're someone (like us!) who loves BOTH drawing and mixed media, so stay tuned for her thoughts if you've been on the fence yourself!
After you watch Bryn's flip through, make sure you head over to Awesome Art School to sign up for my TWO SUPER FUN challenges beginning on Monday, September 21st!! Here are the links ....
✅ CLICK HERE to SIGN UP for my MIXED MEDIA CHALLENGE
✅ CLICK HERE to SIGN UP for my DRAWING CHALLENGE
Each challenge is going to run for 5 days and kicks off open enrollment for The Fun Fab Drawing Club & Mixed Media Society! SOOOOOO .... if you've been waiting for these clubs to open up - your wait is almost over!!
We're having a blast and hope you come join us!!!!
See ya next week!
What Fans Are Saying
Karen, you are absolutely fabulous! You make me feel like I can draw anything. I have recently retired and finally have the time to do some of the art that I have loved since I was in school. I am really at the beginning of my art journey and I hope to learn as much as I can. Thank you for all you do.