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Let's Get Your Creative Juices Flowing!!!
Tombow Brush Pens are one of my all time FAVORITE art supplies. Lots of mixed media artists use them for making cards & brush lettering, but I use them to PAINT! In today's art supply demo, I'll show you why they're a MUST HAVE in my studio + the QUICK & EASY way I use them to create MAGICAL mixed media portraits. If you're a beginner in the world of mixed media art, or just curious about what tombows can do for you - today's video is a MUST SEE!!
Tombows are super popular with mixed media artists -especially card makers and stamping fanatics. People LOVE using them for brush letting and calligraphy type projects.
Tombow dual brush pens come with two nibs, one on each end. One is a brush nib and the other is a bullet nib. I really love the dual nib feature because it feels like I've got both a paintbrush AND a fineliner all in one product. Tombows are also great because they're acid free and super watersoluble (which means they melt like watercolors if you add water to them).
Today I'm working in my large 11x14 strathmore watercolor journal. It's filled with 140 pound color press paper, which can REALLY take a beating from whatever art supplies I feel like throwing at it! As you can see - I don't just do watercolor in this journal. I use it for mixed media projects too because it's so sturdy! Here's a fun project I did a few months ago...
I highly suggest if you're doing ANYTHING with watersoluble art supplies, you REALLY pay attention to the kind of paper you're using. I believe it's JUST AS IMPORTANT as your art supplies. In fact it IS one of your art supplies, and it totally makes a difference.
As you can see, I'm using a face drawing reference because that's usually how I work. I don't really use my references to try and copy exactly what the image looks like because I'm not super into realism.
I just think using a face photo reference while I draw inspires me to add details I may not have thought of from facial feature nuances to hairstyles, etc. I think a face drawing reference is also REALLY helpful to use as a face shading reference because it takes the guesswork out of deciding where to place shadows. You just look at your reference and BOOM. It tells you everything you need to know!
Now today's side profile drawing is one of the trickiest profile drawings to master- called the three quarter view portrait. If you need help with how to draw a 3/4 view profile - here is a playlist for your from my YouTube Drawing Channel to get you started.
I've also got a FREE cheatsheet to help you remember the basics of drawing three quarter view faces.
Simply click the button below and I'll send it straight to your inbox.
Before you start with face shading, I HIGHLY recommend you swatch out your art supplies- whatever you are coloring with because I've been surprised ONE too many times when the color comes out not quite looking like the marker cap or tube of paint, so this can be a real life saver!
Some artists may want to keep a swatch sheet on every color they own. There are some products I do that with (especially my watercolors!!), but most often I'm more into just scribbling a few strokes off to the side for whatever piece I'm currently working on.
When I'm shading a face with my tombow dual brush markers, I hold my marker on the side and use it similarly to a paintbrush (on the brush nib side) to lay down a big chunk of color like in the picture above.
Since my intention is to add water and use my paintbrush to move the color around, I'm deliberately loose with my shading here. I just throw some color down in my lightest shade and move on. I'm all about quick and easy and THIS TECHNIQUE is BOTH!!
As you'll notice in the video, I followed my lightest shade marker with a medium shade - using my photo reference as a guide to help me note darker shadows, and then switched to a dark shade to indicate the darkest shadows.
Simply adding a little water with your paintbrush will melt ALL the marker layers together to create BEAUTIFUL face shading on your drawing. Isn't this gorgeous???
When you're painting with tombows or any watersoluble marker - make sure each layer you do is completely dry before going back on top with your original supply because the fastest way to kill a marker is to put it into water.
NO markers "like" being added to a wet surface, so simply hit your piece up with a little hair dryer action before you go back in for another marker layer, and you'll be good to go.
Check out how sparsely I lay down swathes of three purple tombow shades (light, medium & dark) while drawing a hairstyle for this profile drawing. This is ALL the color I put down.
When I'm playing around with watersoluble media I often activate TWO of my marker layers with water, and then draw on top and leave that final layer UNACTIVATED - to make the details pop.
The only drawback I've found with tombows is they are not lightfast. Definitely keep that in mind if you're creating art to sell or gift. I don't actually recommend selling or gifting your originals because of this - but you could TOTALLY sell prints of them!!
I have found that tombows won't fade AS MUCH if your work is in an art journal because they'll be hidden from the sunlight.
When it's time to add some detail, I pull out my pentel pocket brush. This is my FAVORITE art supply for eyelash drawing (remember NOT to use this until the layers underneath are FULLY DRY).
This pocket brush nib is like a paintbrush- it's made of a group of hairs and doesn't perform like your typical marker. A tombow "brush" nib is basically foam that's been shaped to LOOK like a brush and feel like you're working with a paintbrush (but it provides a bit more control than the pocket brush). If you need help with drawing eyelashes, click the button below and I'll send my EYELASHES CHEATSHEET straight to your inbox.
I've got a great eyelash drawing tutorial on my mixed media channel and another on my YouTube Drawing Channel to help you out if this is something you struggle with.
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I hope you enjoy this mixed media tutorial and TRY tombows out for yourself!! They really are fantastic. The colors are unbelieveable and the markers themselves are really affordable. I think you'll love painting with them as much as I do!!
REMEMBER TODAY (APRIL 26th) is the KICKOFF of my FUN FAB FAIRIES WORKSHOP!!!
You can STILL sign up to join me and the rest of the gang for an amazing week of fairy drawing lessons! CLICK HERE to REGISTER. If you find this post well after the live portions of this workshop have ended, all you're missing out on are the daily giveaways and Facebook LIVES. The Fun Fab Fairies course is STILL available at Awesome Art School as a stand alone course for you to enjoy!!
❤️Did you know I've started a FUN new podcast with my Scottish, artsy bestie, Lucy, ALL ABOUT SCOTLAND & the mythical goodness I can't get enough of about this magical place?! YES - we talk about everything including ARE Fairies Real?! (You know I think they are!!)
The podcast is called 1 Scot, 1 Not! Check us out on YouTube and here's our podcast website! ❤️Want FREE, immediate access to my Fun Fab Drawing Club and/or Mixed Media Society plus discounts on all my art books, sneak peek at YouTube videos and new book content, behind-the-scenes fun and MORE? Join me over on Patreon today and get HUGE PERKS in return for a small monthly donation. ❤️ CHECK OUT ALL my art books on AMAZON (available in both Kindle and Paperback) ❤️ SIGNED COPIES of my art books on ETSY ❤️ MY FAVORITE ART SUPPLIES on AMAZON ❤️ MY BELOVED FACEBOOK GROUP ❤️ FOLLOW ME ON INSTAGRAM ❤️ FOLLOW ME ON FACEBOOK
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Karen CampbellFounder of Awesome Art School. Mixed Media Artist. Author of 18 Instructional Art Books! Archives
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"Karen is flipping hilarious and she's very real...I like the way she teaches in a way that really gives you confidence, whether you're a beginner or advanced there's always something new to learn!"
- Elizabeth W. |
What Fans Are SayingKaren, you are absolutely fabulous! You make me feel like I can draw anything. I have recently retired and finally have the time to do some of the art that I have loved since I was in school. I am really at the beginning of my art journey and I hope to learn as much as I can. Thank you for all you do. |
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