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How have I NEVER tried pan pastels before in any of my mixed media portraits?! I KNOW!! I just purchased a pan pastel set of 80, and am super excited to PLAY with them for the FIRST TIME. Will my pan pastels portrait fail on yupo paper? Is layering pan pastels easy or hard? What art supplies "play nicely" with them? NO CLUE!
Today's mixed media art supply demo is all about letting go & discovering the answers on my own as I play. It is in this space of experimentation where we can truly be FREE as artists! If you're new to pan pastel art like me, need a little push to TRY something new, or curious if you should add some pan pastel colors to your own art supply stash - THIS VIDEO is FOR YOU! 
I don't about you, but I like to dive in "blind" whenever I experiment with a new art supply! I think it's fun to not know how things are gonna work, how they'll react together, and figure it all out by myself first!
Then I love to dive into research LATER if things went wrong, because for me - my experience helps me to craft my knowledge. My hope for you with today's video is that you feel empowered to try anything and everything you want to all by yourself. You can learn SO much by doing this!! Before we continue, super quick announcement: All product links are Affiliate. I may earn a small commission if you choose to order through these links but by law there is never any additional cost to the consumer for doing so. I thank you for your support. 
I found an awesome face shading reference photo on DeviantArt that inspired today's project. He's a side profile drawing in 3/4 view.
If you'd like to try drawing a 3/4 portrait, and need a little help, click the button below to download my FREE 3/4 view Face Drawing Guidelines! I'll email them right over to you. 
The paper I'm using today is called Yupo paper. It's 100% non-pourous, and basically plastic! When you draw on it - you'll experience a really slippery sensation, like 80x slippier than bristol!
As you'll see in the video- it doesn't matter how many times I've drawn a face, I ALWAYS go back to basics and sketch in my face drawing guidelines first. This helps me ensure the face I'm drawing will come out with facical features that are proportionate. If you need help getting the proportions of the 3/4 portrait correct, CLICK HERE to download my free cheatsheet. 
If you're interested in learning more about how to draw male faces check out my book - How to Draw Fun Fab Fellas. I don't draw guys nearly enough, honestly! And they're really fun because the angles in their faces are SO different from women.
As I was drawing this particular guy, I really felt like he was turning into a young Van Gough!
Since I'm totally doing this project from the perspective of a pan pastels beginner... and also new to working on Yupo paper- I have no idea how my first layer of pan pastels is going to stick to the paper, because it literally has zero texture and feels like a skating rink.
If you don't have any pan pastel sets yet, I recommend trying the set of 20, or the skin tones set of 7. I used one of the pan pastel Sofft tools (they came with my pan pastels set of 80), to apply some color to the background, and it was seriously done in under a minute. If you need some applicators, try this little set of 12 mini sponges, and/or this set Craft Ink Blending Brushes. 
I experimented with trying combining my pan pastels and Prismacolor colored pencils, but wasn't patient enough to work with that for a long period of time. It was great for adding some detail in the beard (above), but I needed something bolder and faster to work with.
I discovered using my Neocolor IIs by Caran d'Ache really worked well and helped me to achieve the depth I was struggling to get out of the pan pastels alone.
I had heard pan pastels are eraseable, but they didn't erase well with my beloved vanish eraser. I also tried using the eraser on my Blackwing pencil, and had much better luck. I love chiseling highlights out of the face shading I do, so enjoyed playing with this fun pan pastels technique!
If you know me and my work at all, you know I'm a HUGE FAN of outlining. And you may know that as soon as I pull out my pentel pocket brush, the project is basically over! LOL. I hope you have fun with this demo, and enjoy working with pan pastels on your own as much as I did!
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Today I'm trying 5 watercolor moon painting techniques out to see which ones create THE BEST lunar effects! Check out what happens when I test naturally granulating watercolor by Daniel Smith vs adding granulating medium. Plus- how does regular table salt compare with kosher salt watercolor painting? And- how does the texture of my favorite Fabriano watercolor paper change the effects when I paint on hot press vs cold press paper? Click over to today's video to find out!
Before we continue, super quick announcement: All product links are Affiliate. I may earn a small commission if you choose to order through these links but by law there is never any additional cost to the consumer for doing so. I thank you for your support.
I've drawn 5 moon circles on each page of Fabriano watercolor paper. On the left, I've got 140# hot press (smooth) watercolor paper, and on the right- I have a sheet of 140# cold press (textured) watercolor paper.
I love granulating watercolor (this means the color separates a bit and you can see tiny particles in it, like in the pic above). The first granulating shade I chose to work with is lunar violet by Daniel Smith.
I coated this entire circle with plain water first, then applied the color.This technique is called wet on wet watercolor. 
For fun I decided to add a few droplets of rubbing alcohol using a pipette to see if this would give me the look of moon craters. Above is how it looked on the textured, cold press watercolor paper.
As you can see, wherever the alcohol droplets were added, the watercolor dispersed. Click over to the video to see how the wet on wet watercolor technique looks on the hot press watercolor paper.
I tried the same alcohol watercolor technique to see how this looked on the hot press watercolor paper, and so far I'm loving how this looks.
For the next "moon," I used the same wet on wet technique with rose of ultramarine by daniel smith. While it was still wet, I sprinkled some table salt over this one because salt watercolor painting can give you some gorgeous effects!
Isn't that beautiful?!
The next color I'm testing out is shadow violet. This time I used the wet on dry watercolor technique, and tried adding a few extra droplets of plain water to see what happened. At first I kinda hated how this looked- but after it dried, it started to look a bit more "planetary." For my fourth watercolor moon, I decided to use cascade green (also by Daniel Smith). I mixed this off to the side with about 50% granulating medium because I really want to see how this separates the colors of this gorgeous blue green. 
I just love the way the colors immediately separate in my palette, but it doesn't transfer to the paper in the same way like I expected it to, so that's a little disappointing.
The final color I wanted to test out today is imperial purple (another granulating watercolor by Daniel Smith). It separates into pinks and purples and reminds me a lot of the effects I love getting from activating my elegant writer! It's so pretty (bottom right corner, below)!
For this one, I tried adding one more medium - an irridescent medium, and just becuase I love salt watercolor painting effects, tried sprinkling kosher salt on top.
Once dry, the irridescent medium doesn't do very much to create that shimmery look I was hoping for, so again - I'm feeling a little disappointed in this medium.
Today's test has definitely shown me that the mediums I tried aren't really worth it, and we're better off just getting a set of irridescent, metallic or granulating watercolors if these are effects we enjoy. Thanks for hanging out with me today! Make sure you click over to the video to see each technique in action and decide which one YOU like best!
The Tombow mono zero eraser is an ESSENTIAL drawing supply in my studio. If you've never used it before - the mono eraser is built like a mechanical pencil, but filled with a long, skinny eraser instead of graphite.
In today's drawing supply demo, I'll show you why the Tombow mono eraser is a MUST HAVE in my studio + the QUICK & EASY ways I use it to add dimension when I'm shading faces in graphite. If you're just learning how to draw faces, or curious about what the mono zero eraser can do for you - today's video is a MUST SEE!! 
Before we continue, super quick announcement: All product links are Affiliate. I may earn a small commission if you choose to order through these links but by law there is never any additional cost to the consumer for doing so. I thank you for your support.
The mono eraser is one of my MOST FAVORITE drawing tools on the planet! As you can see, the mono eraser (right) is WAY smaller (less than half the size!) of the eraser on my pentel mechanical pencil.
The mono's tiny eraser nib enables me to chisel highlights into my drawings after I've already done some shading.
I've nearly finished a Fairy Witch graphite drawing project for The Celtic Collective, and just need to add in some highlights. I thought you might like to watch how I do this using the mono eraser. Interested in learning MORE about the Celtic Collective? Add your name to the waitlist here to be notified the next time we're open for enrollment! 
The crystal necklace around this girl's neck is definitely an area where I need to add some thin reflections. I use my mono eraser in a similar way to my drawing pencils and tend to just "draw in" highlights wherever I want them to go.
It's literally like sculpting - I carve the highlights OUT of previously shaded sections to remove some of the graphite and add dimension by revealing newly "drawn" white highlights. 
Another way I like to use the mono eraser is for cleaning up my edges. In the photo above, I ran the tiny eraser nib along the darker outlines of this piece of jewelry to remove sketchy lines, smudges, etc.
I LOVE adding drama to the center of the upper eyelids when I'm shading faces. My Tombow mono zero eraser is perfect for blending out highlights here to help the eye look more bulbous and realistic.
Do you love drawing and shading faces too? Or maybe you're just learning how to draw faces? You NEED my FREE whimsical face drawing guidelines. They're super easy to follow, and will help you draw proportional facial features every time. Simply click the button below to request your free guidelines cheatsheet, and I'll email it right over!
If you're just getting starting with learning how to draw faces, I've got a quick playlist of face drawing tutorials for you to practice with, that is perfect for beginners! It's FREE on YouTube, and is the perfect way for you to start playing with the whimsical face drawing guidelines.
If you know me and my work at all, you KNOW I'm not a huge fan of detail work. LOL! But the Tombow mono zero eraser has helped me add another layer of dimension to my work and I kinda love doing it!!
Whenever I'm drawing hairstyles in pencil, I also love using my mono zero eraser to create the illusion of individual strands of hair within my drawing. CLICK OVER to the video to see this technique in action.
Thanks for hanging out with me today! ❤️ CHECK OUT ALL my art books on AMAZON ❤️ MY FAVORITE ART SUPPLIES on AMAZON ❤️ MY BELOVED FACEBOOK GROUP ❤️ FOLLOW ME ON INSTAGRAM
Today's CREEPY skull watercolor project for Halloween was a special request from my students over at Awesome Art School! If you're not sure how to draw a skull, don't worry - I guide you through the skull drawing step by step. Then we'll bring it to life with one of my favorite art supplies that works JUST like watercolor - Noodler's Ink!
If you're curious how I paint with fountain pen ink, complete this project with so few art supplies, or if you're just in the mood for a spooky mixed media Halloween art project, hop over to YouTube because today's Halloween watercolor video is FOR YOU. 
Before we continue, super quick announcement: All product links are Affiliate. I may earn a small commission if you choose to order through these links but by law there is never any additional cost to the consumer for doing so. I thank you for your support
I created today's tutorial project in my Strathmore Watercolor Journal. It's filled with cold press (textured), 140# paper. If you're new to art-ing with me - I LOVE using this watercolor journal for my mixed media work because the paper is so hearty. It can really take a beating from whatever layers and art supplies I want to throw at it, and has become one of my go-tos over the years.
If you're new to mixed media art, looking for mixed media examples, or clear instructions on how to layer your mixed media art supplies so you can make a masterpiece instead of a mess, look no further! I've been teaching my 7-step "Hamburger System" for almost 2 years now and it's been a game changer for SO many students. 
While the Hamburger System is my main mixed media layering process I use when creating full blown mixed media portraits (like the one above), sometimes I enjoy lightening up on the art supplies and layering.
I'm calling this condensed layering process "The Hot Dog System," and it's perfect for mixed media beginners!
There are just four simple layers in my Hot Dog System:
I've put together a ginormous 32-page PDF (you're welcome!), giving you examples of 4-art supply layer combos- HOT DOG STYLE- not just from me, but from TWENTY of my artsy friends to inspire you! Click the button below to download this FREE 32-page stack of cheatsheets just filled with Hot Dog System inspiration!
A copy of today's skull drawing reference is included in the above cheatsheet packet, so be sure to click that button and get a copy so you can create along with me!
If you're not sure how to draw a skull, don't worry- I take the skull drawing step by step in this tutorial. 
Drawing a skull is like drawing anything - we just break it down and take it shape by shape, starting from the top.
I saw a large circle at the top of the skull and basically decided to warm myself up by sketching a few light circles until I got the shape I wanted and saw in my reference image.
Once I got a bit further down the face of my skull drawing, I started cracking myself up, because my drawing looked like I'm actually drawing Darth Vader! LOL! I swear I'm NOT - he just looked this way before I started drawing the mouth.
When I sketched in the lower jaw and blocked off the area for the teeth, I was seriously reminded of the smiling Italian woman from my Whimsical Women of the World series on my drawing channel last year! She was another student request (how to draw a smiling mouth with teeth), that I created a lesson around just for my students (see below).
For me, drawing teeth is a laborious process (hence why MOST of my whimsical faces and mixed media portraits have closed mouths!).
In all seriousness though, I think the biggest mistake people make when drawing teeth is drawing them all straight, perfect and the SAME. Check out how each tooth below has an individual, unique (and wonktastic) shape. It might look crazy - but I'm just drawing in the shapes I see in my reference photo. 
As soon as the upper teeth were sketched in, I headed into that bottom row to knock them out so we could move on with the drawing and get to my favorite part - shading!
In today's tutorial, I shaded with one of my favorite mixed media art supplies - fountain pen inks. Most people use these for writing or even drawing, but I use them exactly like I do my watercolors, and PAINT with them! If you're new to painting with fountain pen inks, check out this playlist. It's got your name all over it! If you love watercolor - this is definitely something you HAVE to try. 
I layered a variety of ink shades (Hot Dog Layer #2: Noodler's Ink) carefully on top of the previous layer (once the previous layer was dry), and worked from light to dark to shade my drawing to look like the skull drawing reference image (Click here if you want to grab a download of the drawing reference and all my HOT DOG SYSTEM layering tips with inspo from 20 of my artsy friends!!).
When I was happy with my "watercoloring," I moved on to incorporate colored pencils to smooth my transitions and work in some highlights (Hot Dog Layer #3).
Once those were in a good place, I pulled the tape off my journal page and started doodling in my 4th layer with my pentel pocket brush (Hot Dog Layer #4), and...DONE! I hope you enjoyed today's project and take some time to go through the helpful PDF I've put together for you!! I think you'll love seeing the mixed media inspiration from not only me, but from TWENTY of my artsy friends who also enjoy creating mixed media art journal pages and canvases with fewer supplies!! Thanks for hanging out with me today! ❤️ CHECK OUT ALL my art books on AMAZON ❤️ MY FAVORITE ART SUPPLIES on AMAZON ❤️ MY BELOVED FACEBOOK GROUP ❤️ FOLLOW ME ON INSTAGRAM
Silver Black Velvet brushes have been a part of my mixed media painting world for YEARS! They are high end, professional watercolor brushes that work like a charm, but unfortunately come with a hefty price tag.
Even though I love them, I'm always on the lookout for alternatives to recommend for my students over at Awesome Art School in case they're on a budget. Join me for a battle of the watercolor brushes today as I compare my Silver Black Velvets against the competition from Polina Bright, Creative Mark and ZenART Supplies. 
Before we continue, super quick announcement: All product links are Affiliate. I may earn a small commission if you choose to order through these links but by law there is never any additional cost to the consumer for doing so. I thank you for your support!
Over the years I've developed a few qualities I look for in a watercolor brush.
The first feature I look for in a watercolor brush is shape. When you're talking watercolor brushes, this often means the "round" brush shape (you'll likely recognize it as the brush most watercolor artists using). This is what my round Silver Black Velvet brush looks like. See how the taper comes to a point? 
For years, this taper is one of the things I loved about this brand and didn't think I'd find from another brand. Since the price is not budget friendly for my students, I've occasionally tried other brands looking for alternatives. If you're not super concerned about cost, I recommend the Silver Black Velvet set of 3 brushes for $47 on Amazon.
While looking for an alternative, I kinda fell in love with another pricey brand made by Polina Bright. If you haven't see her work before, you HAVE to check her out. Polina's brushes are sold on Etsy and are a little pricey because they ship from Australia, but if you can afford a splurge or drop them on your wish list for the holidays - you might fall in love with them too (set of 4 brushes for ~ $100)! For the students at Awesome Art School looking for value in their watercolorbrush set, I highly recommend the $17, 5-pack watercolor brush set by Creative Mark. They perform beuatifully for the money and are synthetic like Polina's. Brands shown below from left to right: Silver Black Velvet, Creative Mark, Polina Bright 
The second feature I look for in a watercolor brush is it's ability to hold water. Ideally you want it capable of holding tons of water over to the palatte, and tons of pigment from palette to your paper. All three brands performed well here, but I felt Polina's long/lean brush did best (simply my own personal perference).
The third thing to look for in a watercolor brush is the "spring," or the brush's ability to glide naturally in the water, and across your page. The spring in Silver Black Velvets is pretty amazing becuase the brush tip is made from squirrel hair, so naturally it will do well in water. Typically this is where a synthetic brush will struggle to keep up and feel a bit stiff in comparison. I don't find the synthetic hair to be a problem in Polina's brushes or Creative Mark's. I was recently sent a watercolor brush set by ZenArt Supplies to review (shown below, 6-pack of brushes for $28 on Amazon). I thought today's video would be the perfect opportunity to give these a try. 
Right outta the package, I love the assortment of brushes ZenART sent -especially the fact that they've included "flats" in the set because I LOVE working with flat watercolor brushes (these are the ones that have a straight, flat edge across the bristles). When I unwrap the brushes, they feel a little synthetic, but it's hard to tell how a brush is going to perform until you get it wet. I feel like the best way to really test out a product that's new to me, is to create a full project with it. Click over to the video to watch as I do a little whimsical face shading in watercolor to give the ZenArts watercolor brush set a test run. 
Stick around till the end of the demo for my final thoughts on the ZenARTs when compared to my other three favorite watercolor brush brands!
Thanks for hanging out with me today! ❤️ CHECK OUT ALL my art books on AMAZON ❤️ MY FAVORITE ART SUPPLIES on AMAZON ❤️ MY BELOVED FACEBOOK GROUP ❤️ FOLLOW ME ON INSTAGRAM
Wanna practice drawing necks realistically in JUST 5 minutes?! LET'S DO IT!! In today's step by step drawing lesson, we're going to be drawing 5 female necks in real time, directly onto my FREE drawing worksheets. If you need help with how to draw necks, have always wanted to learn how to draw a face, are struggling with how to work drawing practice into your daily life, or need to add MORE FUN into your art practice, THIS SERIES IS FOR YOU!!
I'd love for you to draw right along with me! Simply click the button below to grab my FREE 5 in 5 Facial Features Drawing Packet, and I'll send it straight to your email inbox.
Today's video is a follow up to a facial features drawing series I did a couple of months ago because I'm getting a lot of requests for how to draw necks and eyebrows!
If you're just discovering this series on how to draw facial features, the whole point of this thing, is just to get us practicing our drawing skills. We're not making it our "life's work," it's just a little drawing exercise, and we're only going to spend about 5 minutes working with each neck drawing reference photo, then we're moving on.
You'll see a stop watch going in the bottom of my screen. It's not here to stress you out. It's just to remind ME not to spend more than 5 minutes with any one reference image. Before we continue, super quick announcement: All product links are Affiliate. I may earn a small commission if you choose to order through these links but by law there is never any additional cost to the consumer for doing so. I thank you for your support! 
When we're working on these drawing worksheets, there are three things I encourage you to focus on one at a time, when looking at each neck drawing reference image:
1. Shape 2. Value 3. Details For my supplies today- I'm just using my favorite Blackwing pencil - it's like a soft 4B, and super smooth to work with. You're also gonna need a blending stump, an eraser (I love my vanish eraser and the tombow mono eraser).
In each neck drawing reference photo, I left in the jawline visible so we can look at how thick the neck is, and where it begins in relation to the head.
I started drawing the jawline on my first reference image with the chin, then added in the angles I saw in the model's face shape. 
Once the angles were penciled in, I took a minute to study the reference for any other lines that felt like they need to be drawn in (see below). Then I grabbed my blending stump to begin dragging some graphite around to help indicate the shadows I saw in the model's neck.
Make sure you download your 5 in 5 Drawing Packet so you can practice right on the drawing worksheets with me. Then click over to the video so we can do this quick drawing practice together in real time (no timelapse).
While doing this drawing practice, I realized necks are really WAY more about shading than drawing! 
If you're someone who's been afraid to try drawing a face realistically, or if you've been afraid to try adding a little bit of shading to your drawings - this is the PERFECT drawing exercise for you! Plus it's quick - something I always love!!
If you need to knock back any areas of your shading because they've gotten too dark, use your eraser to "pounce" and lift a little graphite off the page. Click over to the video to see this drawing technique. Keep checking your reference image to compare the lightest and darkest areas on the model's neck with your own drawing.
Our next reference image has a more rounded face shape than our first model, and a wider neck. 
My hope in today's free drawing lesson is that you can sharpen your observational skills, and let go of any fears you have about not having an anatomy background for drawing.
You don't need it for the kind of drawing we're doing! This is just some light practice, and the anatomy can be indicated with your shading. 
Our third reference image has some super dramatic shading for us to work on in the neck and collarbone. If you want to add in her braid- feel free, but don't stress about it. Today's practice is just about focusing on the neck.
Did you grab yourFREE 5 in 5 Drawing Practice packet and print it out yet? I hope so!!
As I always say, "You'll NEVER get worse with more practice." So print that sucker out, and let's get to work! If you're enjoying today's episode, make sure you check out the entire series on my YouTube drawing channel, because I teach you how to draw and shade eyes, eyebrows, noses, lips, hair, face shapes & more! Plus, each facial feature has 2 pages of black and white face drawing reference images to study and capture in your own drawing practice - right on the same pages. Our fourth neck drawing reference is SUPER subtle, and will help you sharpen your observational skills as we zero in on the highlights and shadows in this image together. 
Our last drawing reference (below) for today has a super unique shape and lots of beautiful values for us to concentrate on replicating in our own drawing.
Make sure you grab my 5 in 5 Practice Packet so YOU can sharpen your drawing skills right along with me.
Thanks for hanging out with me today! Interested in learning about how to create a mixed media portrait, but missed my Mixed Media Art Deco Workshop last week? Don't worry! You can STILL sign up and do this at your own pace - any time you want!! No art experience is needed for this super FUN online art class - I'll teach you everything you need to know, and we'll go step by step, together. 
Ready to learn realistic eyebrow drawing in just 5 minutes?! LET'S DO IT!! In today's step by step lesson, we're going to be drawing 5 sets of eyebrows in real time, directly onto my FREE drawing worksheet. If you need help with how to draw eyebrows, have always wanted to learn how to draw a face, are struggling with how to work drawing practice into your daily life, or need to add MORE FUN into your art practice, THIS SERIES IS FOR YOU!!
I'd love for you to draw right along with me! Simply click the button below to grab my FREE 5 in 5 Facial Features Drawing Packet, and I'll send it straight to your email inbox.
Today's video is a follow up to a facial features drawing series I did a couple of months ago because I'm getting a lot of requests for how to draw eyebrows and how to draw necks!
If you're just discovering this series on how to draw facial features, the whole point of this thing is just to get us practicing our drawing skills. We're not making it our "life's work," it's just a little drawing exercise, and we're just going to spend about 5 minutes working with each reference photo, then we're moving on.
You'll see a stop watch going in the bottom of my screen. It's not here to stress anyone out. It's just to remind me not to spend more than 5 minutes with any one reference image. Before we continue, super quick announcement: All product links are Affiliate. I may earn a small commission if you choose to order through these links but by law there is never any additional cost to the consumer for doing so. I thank you for your support! 
There are three things I'd love for your to focus on one at a time, when looking at each eyebrow reference image:
1. Eyebrow Shape 2. Value 3. Details For my supplies today- I'm just using my favorite Blackwing pencil - it's like a soft 4B, and super smooth to work with. You're also gonna need a blending stump, an eraser (I love my vanish eraser and the tombow mono eraser). 
So with our first reference, as you can see- I draw in the general shape I'm seeing for the right eyebrow. The value I see is really pretty black, so I reach for my blending stump right away and then try to add in a few individual hairs even though I don't really see them in this particular photo - they're definitely there.
On the left eyebrow in this reference image, (above) you can definitely see a LOT more individual hairs, so I make sure to add those in where I see them, to make my drawing look more realistic.
or our second reference image, I'll show you how to draw bushy eyebrows - 2020 style. Lol! After these were drawn in with a little shading added, I carved out some highlights using my tombow eraser for detail.
The next face drawing reference has some really unique eyebrows for us to draw. They're much thinner than the last set, and are great practice if you're trying to learn how to draw curved eyebrows.
This style (above) is actually my favorite to draw on the mixed media portraits and whimsical drawings I love to create.
QUICK TIP: When you're ready to draw the individual hairs on the eyebrow, make sure your pencil tip is really sharp, or switch to a mechanical pencil. Doing drawing practice like this with drawing reference photos and cheatsheets can help you think of new ways to draw from your imagination later. 
Our fourth reference today has a very different shape and is a great face drawing reference photo if you've been looking for something to help you with how to draw a natural eyebrow.
QUICK TIP: You always draw things that grow (hair, grass, etc.) from the ROOT up to the tip.
I hope you find these eyebrow drawing references helpful for your own face drawing practice. Remember to grab my cheatsheet so you can do your drawing practice right on the drawing worksheet like me. This drawing worksheet is part of my 5 in 5 Facial Features Drawing Series on my YouTube drawing channel. In case you missed that- it's a super helpful 6-part video series on how to draw facial features with a worksheet of drawing references to go with each feature. We worked on how to draw realistic eyes, how to draw realistic noses, how to draw realistic lips, ears, how to draw different face shapes and how to draw fun female hairstyles in 5 minutes. I popped these new eyebrow drawing worksheets at the end of my drawing packet. You'll also see worksheets for how to draw necks - that's coming up on my YouTube channel soon, so stay tuned for that! Thanks for hanging out with me today!
Interested in learning how to create gorgeous mixed media portraits and learning how to draw art deco style? Join me for my upcoming 1-week, online art workshop starting September 27, 2021.
I'll teach you how to upcycle an old record jacket from the thrift shop into your very own mixed media canvas. Then we'll collage our hearts out, do a little mixed media drawing, and I'll show you ALL my tips and tricks to mixed media layering like a pro!
CLICK HERE to SIGN UP for the WORKSHOP and take advantage of my special 60% OFF Coupon Code before September 27th If you do plan to join me for this upcoming workshop, one of the mixed media art supplies I ALWAYS use is faber castell gelatos. I have heard from a number of my students that they can't get their hands on gelatos, so I just did a video on my mixed media YouTube channel about Faber Castell Gelatos Alternatives, and test a huge variety of gel crayons out for you so YOU don't have to! Make sure you check this out before the workshop starts on September 27th. See ya there!! ❤️ CHECK OUT ALL my art books on AMAZON ❤️ MY FAVORITE ART SUPPLIES on AMAZON ❤️ MY BELOVED FACEBOOK GROUP ❤️ FOLLOW ME ON INSTAGRAM Can't Get Faber Castell Gelatos? TRY THESE Gel Crayons for Stunning Mixed Media Portraits.14/9/2021
Faber Castell Gelatos are a staple in my studio for creating gorgeous shading in the skin tones of my mixed media portraits. Recently I've heard a number of my students can't get gelatos in their part of the world, so I need to recommend a Faber Castell Gelaots alternative. In case you're one of these students, a beginner, or just curious about which gel crayons made it into today's mixed media art supply demo, this video is FOR YOU.
Before we get into the demo, I've got a super exciting announcement!
I'm hosting an online art class / online art workshop starting Monday, September 27th. We'll be creating the sassy mixed media portrait shown in the above photo over the course of a whole week!! If you sign up BEFORE September 27th at this super special link, you can get 60% off. I REALLY hope you can join us!! 
If we haven't met yet, I'm in total LOVE with gelatos by Faber Castell, and use them in almost all of my mixed media hamburger system projects- especially when shading faces of my mixed media portraits.
Gelatos glide beautifully over acrylic paint, and are super easy to blend with nothing more than your finger. If you've been hanging out with me for a while, you know I use them to shade the faces of my mixed media portraits instead of blending my skin tones from acrylic paints because it's MUCH faster & easier. 
I was looking for 4 main product features from the alternative gel crayons I decided to test:
1. How easy they are to "dry blend" with your finger 2. What happens when a sealer like mod podge sweeps over them 3. Lightfast qualities (so your art won't fade over time) 4. Cost 
I drew a number of small heads, painted each with a base acrylic skin tone paint, and let them dry. Then I noted which gel crayon was going to be used to shade each face to help me keep everything straight!
Once I pulled out all of the brands I planned to test, I immediately noticed just how many of them basically had the same packaging. It was a little ridiculous, especially with the gel crayons that were being marketed for kids. Some of them looked EXACTLY like the more expensive fine art gel crayons I had in my studio! Click over to the video to see how they all compared! 
I learned a lot during this demo, but here are a few quick observations:
While I was doing this test, I decided to also check a few of the Gelatos product lines out to see how they performed since I've heard people have had issues in the past with the metallic line. I tested Faber Castell Gelatos Metallic, Faber Castell Gelatos Iridescent, Faber Castell Gelatos Brights, and Faber Castell Gel Sticks (the craft/student/kids version of gelatos).
I honestly didn't have any issues with any of these and felt they all dry-blended about the same. The "brights" pack only has 1 light skin tone, so I don't really recommend this one for shading faces. There are some fun colors in the metallic and iridescent sets though!
Final thoughts: I was shocked at how well the products being marketed to kids worked! Definitely check out the demo so you can see for yourself how each brand dry blends, and reacts.
Want to learn MORE about how to use Faber Castell Gelatos gelatos for shading a face mixed media style? Interested in learning more about my Hamburger System? CLICK HERE to binge watch the Hamburger System series on YouTube, and click here to check out the book (affiliate link) that resulted. 
That's it from me today! I hope you enjoy my mixed media art supply video testing Faber Castell Gelatos alternatives!
Don't forget to sign up for my upcoming Art Deco Mixed Media Portrait Online Art Class!! Click this link BEFORE Sept.27th to save 60%!! Thanks for hanging out with me today!! I hope to see you in class soon. ❤️ CHECK OUT ALL my art books on AMAZON ❤️ MY FAVORITE ART SUPPLIES on AMAZON ❤️ MY BELOVED FACEBOOK GROUP ❤️ FOLLOW ME ON INSTAGRAM
I've never used ecoline brush pens for a full project before, so today's the day! I was really interested to see how they compare to my beloved Tombow brush pens and Winsor Newton watercolor markers because I LOVE doing brush pen drawings and paintings in my signature mixed media style. Click over to the video to see the demo, brush pen comparison, and my thoughts as I work with Ecolines in real time to create this fun mixed media portrait in 3/4 view. Before we continue, super quick announcement: All product links are Affiliate. I may earn a small commission if you choose to order through these links but by law there is never any additional cost to the consumer for doing so. I thank you for your support! 
I typically create brush pen drawings and end up adding water to them with a paint brush or water brush because I love the effects you can get. They look so much like watercolor, and are WAY cheaper to work with!
If you're someone who feels a little intimidated by working with a paint brush, you might enjoy the control of working with brush pens and working your way up to adding water. You can also use them completely dry, like a regular marker, and not add water if you want! 
As you'll see in the video- I'm comparing the Ecolines to 3 others brands: Arteza, Tombow, and Winsor Newton.
The Arteza brush pens are a bit different because they're the only one in this product mix with a brush nib that is actually like a paint brush with individual hairs at the tip. 
While this is really cool - it actually makes coloring much more difficult because they're not super juicy. The Arteza brush pens also have a hard barrel which means you can't squeeze them to get more color flowing.
As you can see in the pic above, the individual hairs will separate while you're coloring, so the coverage isn't amazing. The one bonus is - this set is way cheaper than the others, so if you don't mind working a bit harder to get the coverage you want, you can get 96 colors for around $54 (or just 50 cents/marker). 
When I pick up the Tombow brush pen in one hand and the Arteza in the other hand, I can definitely feel a difference in weight. Tombows are super juicy, so I'm guessing that weight difference is more ink in the barrel.
Tombows also have TWO nibs in each marker: the brush nib, and the bullet for helping you get into teeny, tiny spaces. Tombow has a set of 96 for around $146. You're definitely paying more per marker here, but I've actually never had one run out on me yet, so you can be confident these will last you quite a while!! 
Tombows are definitely my fave when I'm doing art journal pages because they're so easy to take on the road if I want to art while I'm on vacation, or whatever. I even used to take them to carpool and do art in my car while waiting for the boys to get out of school!!
The only downside about Tombows is they're not lightfast, so if you want to make something that's never gonna fade, and will last forever, this may not be the brush pen for you! The same is true for the other lower priced brush pens we're looking at today (Arteza and Ecoline).
HOT TIP: If you are on a budget and need to buy the lower priced brush pens, take a photo (or photocopy, scan, etc.) to preserve your art before the color begins to fade. Remember, it will fade much quicker if you hang it up in direct sunlight. 
Winsor Newton watercolor markers are my top fave in terms of quality. The pigment is gorgeous and lightfast, so it will not fade because they're considered a fine art product.
Like the Tombows, these have both the bullet and brush nibs in each marker, and they're gonna last you forever. They also "move" the most when you add water to them, so they're not just watersoluble, they really FEEL like watercolor. The downside of Winsor Newtons is they don't come in nearly as many colors, and being a fine art product, they're more expensive. The cheapest you can get them is around $4/each, but their quality is outstanding. 
What I'm playing with for today's mixed media portrait tutorial are the Ecoline Brush Pens. They're NOT lightfast, but are super fun to play with, and easy on your budget at about $2/marker when you buy a set of 30 for $60.
They have a bunch of skin tone shades, which is what attracted me to them, so of course I had to check these out for you to let ya know if I think they're worth it! The Ecolines have a smaller nib than the others I tested them against today, but I definitely don't hold that against them because they're nice and juicy. Click over to the video to see how each marker compares when activated with water and come do this tutorial with me in REAL TIME! 
Today's watercolor marker tutorial is of a face in 3/4 view. A portrait in three quarter view is one of the hardest face angles to draw, so if you're new to drawing faces, or feel you need some tips to get you started - I've got a cheatsheet for that!
Simply click the button below, and I'll send you my face drawing guidelines for how to draw a 3/4 view portrait.
If you are totally new to drawing faces, and interested in learning, I recommend the following playlists for you (in order):
1. How to Draw & Shade a Forward Facing Face 2. Side Profile Drawing 3. 3/4 View Face All of the above playlists have cheatsheets to help beginners and step by step face drawing tutorials to help you. Back to today's tutorial... 
I'm not being too fussy with my face sketch today because I really want to get to the coloring portion of the project!
After my face was sketched in, I selected 3 Ecoline marker shades that went well together to create light, medium, and dark skin tones. I tried using the same technique I do when shading with Tombows. I add streaks of light, medium, dark - then activate with water to blend. 
I leave things streaky on purpose because that typically blends right out with water - at least that's my experience with Tombows. When I added water with my paint brush to the Ecoline pigment, I felt like the skin tones blended pretty well, but the blues I used for her hair were much juicier and a bit easier to activate with water. Not sure why!!
I don't have any black brush pens in my Ecoline set, so I incorporated my pentel pocket brush to start adding in detail (especially when drawing eyelashes!)
If you have questions about the pentel pocket brush, I've got two different videos on it - one about how to draw eyelashes on mixed media portraits on my mixed media YouTube channel, and one on my drawing channel. 
Make sure you click over to the video to find out my FULL opinion on whether or not I think Ecolines a great addition to your art supply stash!
Thanks for hanging out with me today!! ❤️ CHECK OUT ALL my art books on AMAZON ❤️ MY FAVORITE ART SUPPLIES on AMAZON ❤️ MY BELOVED FACEBOOK GROUP ❤️ FOLLOW ME ON INSTAGRAM
This martini glass drawing tutorial is SO fun & easy! Pour yourself a drink & come hang out with me for our own little draw & paint party. If you love art deco style already - you'll LOVE seeing a glimpse of the projects in my recently released trilogy of Learn to Draw Art Deco Style books. Then, I'll show you how to draw a martini glass and shade it 2 different ways- once using Noodler's Ink (it's basically like watercoloring!), and the other using my favorite alcohol markers (copics)!!
Before we continue, super quick announcement: All product links are Affiliate. I may earn a small commission if you choose to order through these links but by law there is never any additional cost to the consumer for doing so. I thank you for your support! 
In 2020, I went down a serious 1920s -1930s / art deco rabbit hole just for me. I fell in love with the styles and just had a blast getting into the fashion, figures, hats, shoes, jewelry, furniture, pets, men, cars and cocktails of that era!
During that time period I published not one, but THREE Art Deco Drawing books (1, 2, 3). 
What's fun about these books is I do have a lot of FREE videos on YouTube to accompany the book, so if you've ordered a book and see a little film icon in the corner- make sure you check that link out because there is a video lesson you can play while you work your way through lessons in the book.
I used a lot of watercolor, alcohol markers, and fountain pen inks. In each of these books you'll even find a few fun facts about this time in history because I'm a bit of a vintage history nerd! And when I look stuff up, I've gotta share!! I love everything OLD!
Volume #1 is super "girly" with lots of fashion, shoes and jewelry. In this book I go in depth about how to use my Quadrant Method for drawing figures too, so if you've been wondering how to draw figures easily - this is a great way for beginners to get started!
In my second volume, I'll teach you how to draw male figures as well as popular dogs and cats from the Art Deco era. If you're not sure how to draw a dog or how to draw a cat, I teach you how to use my Quadrant Method for this as well. It's SUPER easy!!
Art deco furniture was GORGEOUS, so you'll find quite a few fun pieces in this volume as well. If you've been following me for a while, you may already know I've got an obsession of painting with fountain pen inks!
I find fountain pen ink to be even MORE vibrant than my favorite Daniel Smith watercolors, and I love to just dip my watercolor brush straight into the bottle to get some serious pigment onto my paper. 
When I was painting the Art Deco furniture projects for this book, I felt my fountain pen inks really made the velvet I was rendering look realistic! You kinda have to see it to believe it.
I wrapped up Volume #2 of Learn to Draw Art Deco style with a chapter on cars and cocktails from this era. It's really remarkable how realistic some of these drawings look!
You can totally achieve this too when you learn how to layer your art supplies properly. Even if you're a beginner- you can do this! I'll show you how and keep each project step by step, so even beginners just learning how to draw feel comfortable!
To dotoday's full length drawing tutorial with me - all you need is a sheet of watercolor paper (if you want to color your martini using a wet medium like watercolor), or a sheet of bristol, card stock, or marker paper if you'd like to shade your martini in alcohol markers.
Be sure to click over to the video to draw with me in real time (22:22). The drawing itself is fairly simple, so if you're a beginner interested in learning how to draw - this project is perfect for you!
We're starting with an upsidedown triangle and adding a stem. Once everything is sketched in, I pulled out my Habannero Fountain Pen Ink and simply started coloring in the liquid for my martini. If you're not sure how to paint with fountain pen inks, just follow me. It's basically the same as using watercolors - just richer. 
If you don't have any fountain pen ink, you can definitely use Dr. Martin's acrylic ink in a similar way or watercolors.
Click over to the video to see how I shade the stem of the glass. I often reach for my Daniel Smith Hermatite Genuine. This is a really soft gray. You can also just really water down some Bloodstone Genuine or Payne's Gray as well to paint a fine line down the stem of the glass. 
If you'd like to see the same project done in alcohol markers while your ink painting is drying, click over to the video (42:00). If you enjoy the look of outlining in your work and are going to shade with alcohol markers, you can outline your glass before or after you shade.
If you choose to outline first, make sure you're NOT working with an alcohol based fineliner because it will bleed. The fineliner should be pigment based or water based (warning: SHARPIES will bleed, so don't use these). Check out my Amazon Shop of favorite art supplies for drawing and mixed media. I recommend Moltows for outlining with copics or other alcohol markers. 
Make sure you swatch your alcohol marker shades off to the side so you know ahead of time that they will blend well together. Before your start shading in marker, be sure to erase your graphite because your markers will drag that around and smear.
HOT TIP: To ease your shading transitions between marker shades, just keep on layering because each top layer rewets the bottom layers and helps them blend. You can also use your lightest of the three colors to blend, or work in a layer of colored pencil, followed by some highlights with a posca paint pen. Click over to this video for more tips on how to copic marker blending!
Make sure you click over to the video because I walk you through both versions of this project step by step!
Thanks for hanging out with me today!!
❤️ CHECK OUT ALL my art books on AMAZON ❤️ MY FAVORITE ART SUPPLIES on AMAZON ❤️ MY BELOVED FACEBOOK GROUP ❤️ FOLLOW ME ON INSTAGRAM |
Karen CampbellFounder of Awesome Art School. Mixed Media Artist. Author of 15 Instructional Art Books!    
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What Fans Are SayingKaren, you are absolutely fabulous! You make me feel like I can draw anything. I have recently retired and finally have the time to do some of the art that I have loved since I was in school. I am really at the beginning of my art journey and I hope to learn as much as I can. Thank you for all you do. |
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